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              <text>“Walking the dog. A tribute to Keith Arnatt" it’s a project that pays tribute to the British artist on the occasion of the 40 years of his photographic series "Walking the Dog" (1979).&#13;
I tried to make a version of his work with the same characteristics as he did: 50 black and white analog square photos; with subjects -humans and dogs- looking at the camera; without any other living thing that could distract; shot it in the photographer’s town and with citizens as protagonists, in this case at La Roca del Vallès (Catalonia).&#13;
I do not intend to prove that ‘dogs look like their masters’ -or vice versa.  Instead, I have been interested in finding attitudes that can conveying one to another, looking for the difference in similarity and trying to imagining stories and situations.&#13;
Keith Arnatt was inspired by August Sander’s portraits of men walking dogs (c.1914). I did not want to interpret or adapt Arnatt either, but I wanted to perpetuate his idea as purely as possible. This is a work that captures a longlasting concept. As Richard Dawkins named in "The Selfish Gene", a 'meme' is a cultural transmission unit that behaves with biological criteria. Then ‘taking photos of walking the dog' is a meme that survives, spreads and reproduces itself jumping from one brain to another over time. &#13;
&#13;
Foreword by artist and professor Marta Juvanteny.&#13;
&#13;
(Rolleiflex T camera /  Ilford HP5+ film/  Adox Atomal 49 developer / Epson V800 scanner)</text>
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