Immersion
Dublin Core
Title
Immersion
Subject
Abstract
Description
In 2020, research carried out by Royal Holloway University
of London estimated that 94,000 microplastics pass through some parts of the River Thames in London per second. The severity of this form of pollution was amplified by the United Nations who stated that 51 trillion microplastic
particles litter the worlds oceans and compared this to the scale of outer space; that this quantity is 500 times the amount of stars in our galaxy. This is problematic, as a comparative statement such as this is abstract and can subsequently perpetuate passivity, which is often the response when presented with issues of climate change and environmental catastrophe. Much like our perception of aquatic environments and outer space, the reality of these issues feel alien to us.
Using this comparison as a centralised theme, Immersion explores microplastics of the River Thames. Water from the river was collected and combined with broken-down plastics that had washed up on the foreshore and were used to replicate the process of the degradation of plastics. Film negatives of photographs of the river, taken underwater, were soaked in this combination until all emulsion was removed. The remaining film base was then scanned to produce a series of abstract images that visualise the United Nations comparison of microplastics of our planet’s oceans to the stars in our galaxy.
of London estimated that 94,000 microplastics pass through some parts of the River Thames in London per second. The severity of this form of pollution was amplified by the United Nations who stated that 51 trillion microplastic
particles litter the worlds oceans and compared this to the scale of outer space; that this quantity is 500 times the amount of stars in our galaxy. This is problematic, as a comparative statement such as this is abstract and can subsequently perpetuate passivity, which is often the response when presented with issues of climate change and environmental catastrophe. Much like our perception of aquatic environments and outer space, the reality of these issues feel alien to us.
Using this comparison as a centralised theme, Immersion explores microplastics of the River Thames. Water from the river was collected and combined with broken-down plastics that had washed up on the foreshore and were used to replicate the process of the degradation of plastics. Film negatives of photographs of the river, taken underwater, were soaked in this combination until all emulsion was removed. The remaining film base was then scanned to produce a series of abstract images that visualise the United Nations comparison of microplastics of our planet’s oceans to the stars in our galaxy.
Creator
Aidan Frere-Smith
Publisher
Self-published.
Date
2021
Format
Printed on 150gsm silk finish paper stock with a 350gsm silk cardstock with matt laminate finish. Perfect bound.
Book Item Type Metadata
Dimensions
21cm by 15.9 by 0.5cm
Number of Pages
68
Number of images
28
Edition Size
20
Place of Publication
London
Designer
Aidan Frere-Smith
Editor
Aidan Frere-Smith
Printer
Mixam
ISBN
Not applicable.
Website
www.aidanfreresmith.co.uk
Where to buy
https://aidanfreresmith.bigcartel.com/product/immersion
Citation
Aidan Frere-SMith, “Immersion,” Photo Book Cafe Archive, accessed April 30, 2025, https://www.photobookcafe-archive.co.uk/items/show/397.