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              <text>Page by page, this book gives materiality and makes visible scenes, snapshots and situations&#13;
without ever limiting itself to a specific genre, discipline or subcategory of photography. On the&#13;
contrary, Eric Oliveira blurs the stylistic boundaries, moving with virtuosity through pictorialism,&#13;
abstraction, chromaticism and experimental photography, to then enter documentary, landscape&#13;
architecture and even macro photography, refuting the regulatory aspects of the ways in which&#13;
we usually relate to photographic narratives. The sequentiality seeks to converge sensitive&#13;
images that are apparently dissociated into the same narrative, which allows the photos/frames&#13;
to act on the interpretation of each other.&#13;
In the context of visual metaphors, it is also important to highlight the interpretative syntheses&#13;
and the production of meanings generated by Fragments. Far from the intention of translating&#13;
the essence of an unfathomable city into images, Eric Oliveira prioritizes the collateral feelings&#13;
and sensations obtained through contact with each photograph. The aim is not to limit each&#13;
frame to a concrete event, but rather to release the symptoms of time and the implicit&#13;
discourses in the juxtaposition of colors, shapes, words, characters, textures and grooves.&#13;
Completely disregarding standardized approaches, his photographs claim the function of&#13;
reimagining a multifaceted city where visual identities compete and permeate every corner and&#13;
location. The concerns and ambivalences inherent to this journey pave the way for Londoners&#13;
themselves to relive, observe and feel attentively the city they inhabit.&#13;
&#13;
In Fragments, his second authorial book, Eric Oliveira metabolizes all his technique by visually&#13;
discussing a city that welcomes him and makes him overflow. In this fragmented imagination&#13;
between the exceptional and the mundane, photography stands out as a powerful form of&#13;
expression capable of reflecting on history, identity and transience. Each of these fragments can&#13;
be an invitation to a new story, waiting to be seen through the lens of a camera.&#13;
&#13;
text by :Daniel Gonzalez Xavier</text>
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              <text>2025</text>
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