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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Documentary Subject The topic of the resource 120 Photobook Photo Book Dimensions Dimensions of object in cm 14 x 24 cm Number of Pages Number of Pages 304 Number of images Number of images 293 Edition Size Edition Size 300 Place of Publication Place of Publication Bristol Designer Designer Alejandro Acin Editor Editor Peter Finnemore / Alejandro Acin Printer Printer Taylor Brothers ISBN ISBN ISBN 979-8-88680-470-6 Website Website peterfinnemore.com URL Link to project URL Link to project https://peterfinnemore.com/Looking-for-signs Where to buy Where to buy ICVL Studio Peter Finnemore website Tepi Bookshop / Glynn Vivian Art Gallery / Ffotogallery / Streetlevel Photography Gallery Links to reviews Links to reviews https://www.youtube.com/watch?v=Cl7_2VUjd1M https://offlinejournal.substack.com/p/42-offline-journal-newsletter-oct a complete review can be accessed on Offline Journal #42 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Looking For Signs 1819.DOC.FINNEMORE Creator An entity primarily responsible for making the resource Peter Finnemore Description An account of the resource This body of work is a distinct photographic and text art project, made and inspired from two trips to India in 2017 & 2018 and edited and sequenced over a 5 year period. Looking For Signs, is an experience of India made through the expressive frame of a hand held camera. The snapshot vision is used as a means of fluid and abstract documentation. This book resembles a travel companion, an almanac of unfolding of time and narrative through the flow of appearances. Over 300 pages, this is a durational and almost encyclopedic narrative experience of India, made through imperfect open-ended visual fragments and encounters with the transience of appearances. Mapping the boundaries and crossovers between the physical and ephemeral, perception and manifestation. In this arena the western self, collides & entangles within the complex dynamics of the cultural, social and historical ecosystems of India. Equally, it explores the universal conventions of photography- its democratic versatility, its technology, its role within capitalism, collective memory, historical remembrance, story telling and desire. Like individual memory, the physical materiality of the medium – its images, technology and craft are subject to disuse, erosion and dissolution. These are subjective photographs of travel made in the mind. Subject The topic of the resource 100 Format The file format, physical medium, or dimensions of the resource Case Bound / Exposed Spine 6pp Cover, Monotone printing and debossed. 304 pp, 150 gsm Silk paper 200 B&W plates plus 40 silver duatones. Date A point or period of time associated with an event in the lifecycle of the resource 2022 Publisher An entity responsible for making the resource available ICVL Studio and Gwendraeth House "Peter Finnemore" "Gwendraeth House" "Tigers and Dragons India and Wales in Britain" "Photobook" "Looking For Signs" "Fine Art Photography" "The Snapshot Vision" "IC Vis Lab" "Alejandro Acin" 'Taylor Brothers" "Welsh Artists" "Celf" " Celf Cymru"