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Kanagaki’s laconic, no-frills approach to photography and design accurately translate his practice into art book form. The reductive style of the photographs are carefully constructed to feel like staged scenes devoid of human contact and interaction. The simplistic, graphic aesthetic lives somewhere between product photography and documentary snapshot.&#13;
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Golden Persimmons II contains photographs from the last 3 years that span multiple cities; New York, London, Copenhagen, Saugerties, and Kanagaki’s hometown of Vacaville, California.</text>
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