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I prefer the banality of daily life to the journalistic reporting of an imposed situation. The surreal atmosphere of cities emptied of their inhabitants after the first lockdown in 2020 gave off a fake impression of stillness, which stopped me from photographing. It would have been another approach, another subject all together. So, I decided to wait for life to return to normal before the project could resurface.&#13;
&#13;
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Unintentionally, I polarized my eternal sources of inspiration: architecture, cinema and literature; reminding me of George Perec and what he called “l’infra-ordinaire”.&#13;
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Discovering characters’ attitudes from the images I just took had become a daily pleasure when I came back from a day of shooting.&#13;
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APRES L ÉTÉ (After Summer) is not a project about emptiness, but rather what is around it and within it. It’s about observing a fragment of reality as I see and feel it, without the pretension of telling any other story than the one you can make yourself by looking at the photographs.&#13;
&#13;
What we really see and what we discover over time, simply by observing closer.&#13;
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Roberto Badin&#13;
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4km is the total distance from Copacabana Beach where I lived during my teens in Rio de Janeiro.</text>
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