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                <text>Francesca Allen’s Konkursas depicts participants in Lithuania’s Konkursas Pasaulio Ilgaplaukės annual competition for the world’s longest hair. Here hundreds of girls and women with thousands of feet of hair walk the runway and have their lovingly groomed hair measured by gloved judges, before shaking it in a ceremonial finale. Allen’s fascination with ritual and coming-of-age sparked her interest in the contest, one which blends pageantry with folklore and allows the artist to deepen her thoughts on hair within femininity: “Hair influences how we are perceived by others, how professional we appear, our identity, our religion and culture. It plays a huge role in the enactment of self and also our discrimination against others.” The resulting photographs—haunting, funny, slightly surreal—explore the dichotomy between modernity and tradition, obsession and aspiration, and ideas of girl- and womanhood.&#13;
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                <text>I am Raajadharshini, a Tamil-born fashion image maker based in London.&#13;
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In terms of fashion imagery, showcasing South Asia is still a small niche that barely has any authentic light to it. India is known for its manufacturing, and our artisanal textile skills are constantly exploited by big names in fashion. But our people are barely seen in the mainstream industry. The so-called 'Indian aesthetics' are often picked up for campaigns and models are used as tokens, but we barely see representation in the background. Very rarely are brown stories and lifestyles discussed. As the fashion world slowly evokes conversations about inclusivity and representation, My project “Koothu” celebrates my background - the people of Tamil Nadu, their lifestyle, clothing, and culture in an effort to anchor my community in contemporary visual culture and fashion imagery. -Frames of real houses and real people in Tamil Nadu that oscillate between youth, joy, leisure, and inner conflicts of characters placed against the vibrancy and chaos of the State.&#13;
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•&#13;
“I have felt invisible quite a many times. Does everyone see me? My sister, friend, and neighbours ask me the same question. We see each other, I am not sure about the world. Representation can mean many things, for me. I grew up in Tamil Nadu, a state in India. It is hot year around, rice is our holy grail, the streets are our playgrounds, and street dogs are our confidantes. As I sit in my apartment in London, attempting to articulate the essence of my childhood to my friends from the West, I always fall short. We are from very different worlds.&#13;
The chromatic brilliance of simple frames, the chaotic energy of the place, and the most beautiful people, are the only beauty I used to know. Handmade textiles to homegrown food. My celebration and joy, the little leisure of running up to the "pori vandi", a mobile cart with fresh puffed rice and peanut, running up to the "balloon kaar", the man selling all kinds of balloons on a big board on his shoulders, vegetable vendors cycling outside my door, so many lives around me enriching mine”</text>
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              <text>&lt;a href="http://www.esotopies.com"&gt;www.esotopies.com&lt;/a&gt; website and few librairies in Paris, for the moment...</text>
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              <text>&lt;a href="https://loeildelaphotographie.com/en/esotopies-nathalie-bauer-la-disparition/?utm_source=Liste+ODLP+nouvelle+version&amp;amp;utm_campaign=9a41953b48-Edition+of+January+3+2025&amp;amp;utm_medium=email&amp;amp;utm_term=0_-9a41953b48-%5BLIST_EMAIL_ID%5D&amp;amp;ct=t%28Newsletter+EN+01032025%29"&gt;https://loeildelaphotographie.com/en/esotopies-nathalie-bauer-la-disparition/?utm_source=Liste+ODLP+nouvelle+version&amp;amp;utm_campaign=9a41953b48-Edition+of+January+3+2025&amp;amp;utm_medium=email&amp;amp;utm_term=0_-9a41953b48-%5BLIST_EMAIL_ID%5D&amp;amp;ct=t%28Newsletter+EN+01032025%29&lt;/a&gt;</text>
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                <text>La Disparition Paris Vendôme / Vendôme Paris</text>
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                <text>La Disparition is a dip into French spirit weaving together series of pictures taken during Paris Fashion Weeks and the Gilets Jaunes protests in 2018. It explores the link between the world of luxury, the Vendôme column, the Commune, the origin of anger, revolution, circularity, fashion weeks, cycles and sorority through pictures and text. It's an hybrid object where a book is sewn hidden within a book, the pages of text hiding and revealing images echo the notion of high visibility jackets worn by people feeling invisible while the making of the book - no glue, just paper cut, folded and sewn - is like one of clothes. </text>
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                <text>Offset printing&#13;
Olin smooth bright white 120 g/m² &#13;
Singer sewn for the bound edition of 100 or unbound edition of 200</text>
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        <name>"Gilets Jaunes" "Fashion Weeks" "Documentary Photography"</name>
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