66 12 1880 https://www.photobookcafe-archive.co.uk/files/original/2cfa3a9f4db6e0bdb59ea9ac712d791f.jpg 2dd6a08a411e8c2ccacbe22773f4243f https://www.photobookcafe-archive.co.uk/files/original/b836938e90dbe352bf0215c8c9a21fe7.jpg 2f98b5f8ebca495a371ac05486715def https://www.photobookcafe-archive.co.uk/files/original/250f9904633f85b2c7622aee57859241.jpg 27edf4f061260bcee0459653ab0f4ef8 https://www.photobookcafe-archive.co.uk/files/original/941c6e57e6419664f828397713e0d95f.jpg cec60810e97bc5dcc3b0667c92ab9d19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Travel Subject The topic of the resource 350 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miami Beach 1988-1995 <span style="text-decoration: underline;">Shelfmark - 1020.TRVL/DOC.LEWIS</span> Description An account of the resource Fashionistas and retirees, drag queens and bodybuilders, waiters and wanderers: these sumptuous black and white photographs taken by Barry Lewis capture the rich colour of Miami Beach in the early 90s. After two decades of drugs, corruption and violence the coastal strip had come back to life and the party was just beginning… Creator An entity primarily responsible for making the resource Barry Lewis Source A related resource from which the described resource is derived <a href="https://www.hoxtonminipress.com/">https://www.hoxtonminipress.com/</a> Publisher An entity responsible for making the resource available Hoxton Mini Press Date A point or period of time associated with an event in the lifecycle of the resource 27 March 2019 1020.TRVL/DOC.LEWIS https://www.photobookcafe-archive.co.uk/files/original/b9e9d0cba89b4129a8e7cbd5e9d8dd7c.jpg f1051a41884be98438e3b12567459577 https://www.photobookcafe-archive.co.uk/files/original/9791433497bc8d67dab15eabc712afc3.jpg 00ebe62a9f0ad0eb7d370b1803d0cf61 https://www.photobookcafe-archive.co.uk/files/original/5cb2281bc375ceb4d76fa99789c9852c.jpg a4ba741fad34ab09e22ed1c5bc998d6c https://www.photobookcafe-archive.co.uk/files/original/90ef78b94e8996a84e66f9d379eb9df5.jpg a925f5bd83fb31be8085db9decf7149f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Documentary Subject The topic of the resource 120 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Immortal Mushroom <span style="text-decoration: underline;">Shelfmark - 1021.DOC.BRADLEYCHAN</span> Description An account of the resource Immortal Mushroom takes its name from an Asian medicinal mushroom called lingzhi. In a explorative collaboration, photographers Samuel Bradley and Kat Chan study a remote city in northern China: Shangri-La, the most culturally and biodiverse province in the country. In the images, that are presented along Kat Chan's essays and poems as a way to thread the narrative, the artists show us stunning still life experiments created with vegetables and fruits and create a surreal vision of Shangri-La. We could say this extraordinary book offers a unique angle on a barely known but remarkable place. Bradley and Chan create a medium to explore the history and culture of Shangri-La while also challenging assumptions about Traditional Chinese Medicine. Creator An entity primarily responsible for making the resource Kat Chan & Samuel Bradley Source A related resource from which the described resource is derived <a href="https://www.setantabooks.com/">https://www.setantabooks.com/</a> Publisher An entity responsible for making the resource available holiday deluxe Date A point or period of time associated with an event in the lifecycle of the resource 2020 1021.ASIA.BRADLEYCHAN https://www.photobookcafe-archive.co.uk/files/original/fd35a21aa0a1c5f93e3cd042cd3e86a8.jpg 6c056aa6881ba64c10f8f086335aa1ff https://www.photobookcafe-archive.co.uk/files/original/3367126e3e7616b884d32db9c4216b46.jpg 6c9e58bd3727ccda84d565bb0702551a https://www.photobookcafe-archive.co.uk/files/original/456883747d647333fe4466cb5e5293a0.jpg 9b1c95cdc746307b9d0547b2f40e4a15 https://www.photobookcafe-archive.co.uk/files/original/10f00bb945892037e89045ae9304bf64.jpg d278fbe039cb786558090ad4981a8796 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Documentary Subject The topic of the resource 120 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master - An Ainu Story <span style="text-decoration: underline;">Shelfmark - 1022.DOC.ISFENDIYAR</span> Description An account of the resource Master – An Ainu Story provides a rare insight into the lives and culture of modern-day Ainu (an indigenous people of Japan). It has been exhibited at The Brunei Gallery, London, Sway Gallery, London and Stockholm, The ICP Museum, New York, and has appeared in National Geographic Traveler magazine. Adam Isfendiyar is a London-based photographer, whose passion is in telling the stories of individuals and their connection to their environment. He lived in Hokkaido, Japan with Kenji Matsuda from 2016 to 2018. Through the personal experiences of Matsuda san, the photos and stories in this book tell the story of survival and adaptation of the Ainu. Matsuda san, known as ‘Master’ (which roughly translates to ‘Boss’ in English) to his family, colleagues and patrons, has grown up sandwiched between two generations of Ainu with very different attitudes towards their heritage. While his grandparents’ generation encouraged their children and grandchildren to assimilate for fear of discrimination, recent generations have started to demand recognition of their indigenous status, which was finally given in February 2019. Source A related resource from which the described resource is derived <a href="https://www.galda-verlag.de/">https://www.galda-verlag.de/</a> Publisher An entity responsible for making the resource available Galda Verlag Date A point or period of time associated with an event in the lifecycle of the resource 28 Aug. 2023 1022.ASIA.ISFENDIYAR https://www.photobookcafe-archive.co.uk/files/original/93d08592e63655bba8a6d26975fb9959.JPG 6d50803fb719cbbe4906f3a0c8b81654 https://www.photobookcafe-archive.co.uk/files/original/7545ec14d34df7a3c6a9ffed458a6d0d.JPG 31e517588cb7abdefc5ee732dec506ec https://www.photobookcafe-archive.co.uk/files/original/357ec2d8b5c6d86b9fd53f8509682e32.JPG ce4e61eeec1c38eedadefdd7fd4c58e6 https://www.photobookcafe-archive.co.uk/files/original/2cc1db6f09129e52da2f24cea53b27d9.JPG cd33557b6deaff633b093887f8dfb167 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edo <span style="text-decoration: underline;">Shelfmark - 1023.ASIA/UL.COOK</span> Creator An entity primarily responsible for making the resource Peter M. Cook Description An account of the resource British architectural photographer Peter M. Cook (*1967) started travelling to Tokyo in 1992, settling there in 1998. Peter has devoted himself to photographing buildings across Japan. Edo, which is the old name for Tokyo, is the culmination of twenty years tirelessly documenting Tokyo and its buildings, recording an architectural evolution of the city. For his photo book, Peter M. Cook has selected 100 images of Tokyo, paying homage to the visual language of Hiroshige's 100 Views of Edo: Mount Fuji makes an appearance, ghostlike in the background, its powerful iconic presence a reminder of a constant in nature, in contrast to the urban landscape at its base. At the same time, Cook's abstract aesthetics are reminiscent of the pioneering silent film Metropolis from 1927, which has set the scene for the futuristic city. The book furthermore includes a haiku by the renowned Japanese architect Kengo Kuma whose buildings Cook started to document for a new project. Source A related resource from which the described resource is derived <a href="https://www.hatjecantz.com/">https://www.hatjecantz.com/</a> Publisher An entity responsible for making the resource available Hatje Cantz Verlag Date A point or period of time associated with an event in the lifecycle of the resource 30 Nov. 2018 1023.ASIA/UL.COOK https://www.photobookcafe-archive.co.uk/files/original/dc7b1d272d3370ba6b4093c4e55bdb86.jpg ab6013f700daddf0a5a6f9b72202a61a https://www.photobookcafe-archive.co.uk/files/original/3c8acd7b393476e6683befcdc088cd47.jpg 520f72d4ef7f8e2017d8161eebb4af67 https://www.photobookcafe-archive.co.uk/files/original/00e137f307276741eee50beaa4a861f4.jpg 041e7f80cd597550c7858f010626598f https://www.photobookcafe-archive.co.uk/files/original/0b57a71c671ab8c3c3520a84a139742a.jpg d98ddb6ac040464a34265f5fe4517bd4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Magnum Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MAGNUM China <span style="text-decoration: underline;">Shelfmark - 1024.MAGNUM</span> Description An account of the resource Many of Magnum’s most renowned photographers, beginning with Robert Capa and Henri Cartier-Bresson on assignment in the 1930s, have photographed China, returning time and again, their fascination growing in line with China’s burgeoning accessibility and international influence. Magnum China – both an outstanding photobook and a fascinating social history – illustrates the agency’s evolving relationship with China to give a visually rich, informed photographic account of the country, its people and the changes witnessed over the last nine decades. Chronologically organized to present key periods in the development of the modern state and its associated territories, Magnum China presents in-depth portfolios by individual photographers, accompanied by introductory commentaries on the featured projects, and group selections illustrating the diversity of Magnum’s interaction with the region. Supplemented with introductory essays by Jonathan Fenby, historical timelines, lists of photographers’ travels and a fold-out map of China, Magnum China offers detailed and insightful socio-political, geographical and historical context to complement the outstanding photography of some of the world’s finest documentary, art and street photographers. Features work by forty photographers: Abbas • Christopher Anderson • Eve Arnold • Olivia Arthur • Bruno Barbey • Jonas Bendiksen • Ian Berry • Werner Bischof • Michael Christopher Brown • René Burri • Robert Capa • Henri Cartier-Bresson • Chien-Chi Chang • Carl De Keyzer • Raymond Depardon • Carolyn Drake • Thomas Dworzak • Elliott Erwitt • Martine Franck • Stuart Franklin • Bruce Gilden • Burt Glinn • Jim Goldberg • Harry Gruyaert • Hiroshi Hamaya • Thomas Hoepker • Philip Jones Griffiths • Guy Le Querrec • Lu-Nan • Steve McCurry • Alex Majoli • Constantine Manos • Inge Morath • Martin Parr • Paolo Pellegrin • Gueorgui Pinkhassov • Marc Riboud • Alec Soth • Chris Steele-Perkins • Patrick Zachmann Source A related resource from which the described resource is derived <a href="https://thamesandhudson.com/">https://thamesandhudson.com/</a> Publisher An entity responsible for making the resource available Thames & Hudson Date A point or period of time associated with an event in the lifecycle of the resource 4 October 2018 1024.ASIA.MAGNUM https://www.photobookcafe-archive.co.uk/files/original/6b8066033abfea292978ffe2b6a9b7ff.jpg 1bbdfa55e09bd123c1f058477d3038ac https://www.photobookcafe-archive.co.uk/files/original/79235a41f0bc9c963671a364c92c4e36.jpg 29bcc82c3b55395db05c767ca4e1ed0e https://www.photobookcafe-archive.co.uk/files/original/3b9b79198c20ef42843871a2209447a9.jpg 4eb1971e0bae01db1e8078d5bd830305 https://www.photobookcafe-archive.co.uk/files/original/348532bba5008046c1d3bade38645589.jpg 2619e363bb55242790dc3390b04e8d90 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource London Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Last Stop <span style="text-decoration: underline;">Shelfmark - 1025.LDN.GEORGIOU</span> Creator An entity primarily responsible for making the resource George Georgiou Description An account of the resource A double-sided concertina book, shot through the windows of London’s double decker buses. The essence of Last Stop is that you might take the same route everyday but what you see, the ebb and flow on the street takes on a random nature, like a series of fleeting mini soap operas. The concertina book format reflects and mimics the flow of a bus journey, but more importantly it gives the viewer the opportunity to create their own journeys by spreading the book out and combining different images together. This moves the book away from an author-led linear narrative to one of multiple possibilities. Source A related resource from which the described resource is derived <a href="https://georgegeorgiou.net/">https://georgegeorgiou.net/</a> 1025.LDN.GEORGIOU https://www.photobookcafe-archive.co.uk/files/original/6efadad1f7c871aaee18272b409821fc.jpg 59b7abd664d09c1e8c5eea748c2ec0df https://www.photobookcafe-archive.co.uk/files/original/b724a2cdffd0c725cbab58dd40fb966a.jpg 84f220a197f042f2d5752a3fe783805f https://www.photobookcafe-archive.co.uk/files/original/a7637d522e212c71a65bd19fb409e5ce.jpg f1a671b92fbef4cc90e357f119af27e2 https://www.photobookcafe-archive.co.uk/files/original/621ad60eaa0097dea03cdf5355e2fc1e.jpg 9e19da4d87d6237369d857be4af07505 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Personal Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Private Reality: Diary of A Teenage Boy <span style="text-decoration: underline;">Shelfmark - 1026.PER/SC.MCKELL</span> Creator An entity primarily responsible for making the resource Iain Mckell Description An account of the resource In 1976 aged nineteen and a student at Exeter College of Art Iain McKell got a summer job on Weymouth seafront photographing holidaymakers. It was a wonderful opportunity for him to both earn a living and carry out a project exploring the life of the seaside photographer. As well as holidaymakers he photographed his friends his family and local people from the town and in the evening the disco bars fairgrounds and caravan parks of the town. Private Reality is about youth culture and being a young man in the 1970s. Source A related resource from which the described resource is derived <a href="https://www.iainmckell.com/">https://www.iainmckell.com/</a> Publisher An entity responsible for making the resource available Dewy Lewis Date A point or period of time associated with an event in the lifecycle of the resource 2020 1026.PER/SC.MCKELL https://www.photobookcafe-archive.co.uk/files/original/47b9075559e518c41f0c0d00063bccb9.jpg 322bdf62d1002ed0f6f3dc899fff3451 https://www.photobookcafe-archive.co.uk/files/original/451cc2a62a8013bfc0cd8001830aa9e4.jpg 519b00258cdfd5ecd3e4934b9b1cb059 https://www.photobookcafe-archive.co.uk/files/original/16b6ebfae9af5dcf6658f6c3a6307dbb.jpg 82730aeda3b3da3c11cb1de19b65d3f0 https://www.photobookcafe-archive.co.uk/files/original/b15155f3afd01f92141fbf751a8e3f66.jpg 5677a33aac2cf3432b2422621853d7c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Documentary Subject The topic of the resource 120 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Resilience <span style="text-decoration: underline;">Shelfmark - 1027.DOC.VANDERHOUWEN</span> Creator An entity primarily responsible for making the resource Pieter Van Der Houwen 1027.DOC/ASIA.VANDERHOUWEN https://www.photobookcafe-archive.co.uk/files/original/41cc2f7fef41322dc147ede1f951c976.jpg b433a0e260e39c3ddca3eb6d5b4753c2 https://www.photobookcafe-archive.co.uk/files/original/dac4d674f94b6f68613c855e22d5d172.jpg 796d4d22071a249af259bb430785310c https://www.photobookcafe-archive.co.uk/files/original/589ff96738a5c835da4c62402df99b86.jpg 6b86a5a08666a580b3729e178a7fc72f https://www.photobookcafe-archive.co.uk/files/original/f51a87841538d49a803e98231c8065db.jpg b2543ca37d6b7286afb19525377eb183 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Environmental Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Terre Vue Du Ciel <span style="text-decoration: underline;">Shelfmark - 1029.ENV.ARTHUSBERTRAND</span> Creator An entity primarily responsible for making the resource Yann Arthus-Bertrand Description An account of the resource A worldwide bestseller, selling over 4 million copies, Earth from Above by photographer Yann Arthus-Bertrand is a wake-up call to the splendor and strength of our planet. This aerial portrait is also a source of meditation and reflection that evolves as the world transforms. Source A related resource from which the described resource is derived <a href="https://www.editionsdelamartiniere.fr/">https://www.editionsdelamartiniere.fr/</a> Publisher An entity responsible for making the resource available Editions de la Martinière Date A point or period of time associated with an event in the lifecycle of the resource November 1999 1029.ENV.ARTHUSBERTRAND https://www.photobookcafe-archive.co.uk/files/original/5e457fac5cff86169ab23bc366910ffe.JPG 8ed846a53350bbacc3c66790f848afd9 https://www.photobookcafe-archive.co.uk/files/original/15d7534371dc7540b4ca6d12bba3d71f.jpg eb3ab14bd20a82594b654de08951d397 https://www.photobookcafe-archive.co.uk/files/original/509f5daf8cebd530b6258d2ac60a6498.jpg 47fa92398afd542dfb21dd48bcd1efda https://www.photobookcafe-archive.co.uk/files/original/b7a690b072eecd0fe63ed94e57395088.JPG e591b1e6103987a3b18540e0f9fe7c98 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Retrospective Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Black Country Dada <span style="text-decoration: underline;">Shelfmark - 1030.RETRO.GRIFFIN</span> Creator An entity primarily responsible for making the resource Brian Griffin Description An account of the resource Brian Griffin is responsible for some of the most iconic images of the 1970s and ‘80s and this book tells the stories behind those images. It takes him from his college years to running a successful studio photographing the great and the good from show business to big business. Source A related resource from which the described resource is derived <a href="https://thecafeteria.co.uk/">https://thecafeteria.co.uk/</a> Publisher An entity responsible for making the resource available Cafeteria Date A point or period of time associated with an event in the lifecycle of the resource 2021 1030.RETRO.GRIFFIN https://www.photobookcafe-archive.co.uk/files/original/7b05f82e704e4674de5cf979cf0ac885.jpg 4f4186533967a8844e7935f9daabb26f https://www.photobookcafe-archive.co.uk/files/original/bf932dc17819395a6289895e8c5703f1.jpg 09b1aea13e29fc319164fda3946fa4b3 https://www.photobookcafe-archive.co.uk/files/original/fea7d2c919ca70b52b7362099f68f645.jpg ad2746fdbbcfee048f57ecfc869b383c https://www.photobookcafe-archive.co.uk/files/original/71cd09d6a62fbbdcdef3987a70e87eaf.jpg b11c3ae09580c3bd8620f5052643f5d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Retrospective Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Europeans <span style="text-decoration: underline;">Shelfmark - 1031.RETRO.CARTIERBRESSON</span> Creator An entity primarily responsible for making the resource Henri Cartier-Bresson Description An account of the resource In 1955, Henri Cartier-Bresson published The Europeans, a collection of photographs taken over a period of five years. His portrait of the continent documented a landscape shadowed by war, where people lived among ruins and still bore the mark of hunger. For this book, first published forty-five years later, the celebrated photographer brought together a far broader range of images, spanning the years from the late 1920s to the early 1990s. Cartier-Bresson travelled across Europe, from the Scandinavian shield to the Balkan karst, from the Breton granites to the Irish bogs, in order to capture what it means to be European. Beyond nationalism and the particular characteristics of each culture and nation, he found evidence of a greater identity, a family likeness shared by the people and the landscape. The Europeans recorded here inhabit both city and countryside, where we see them at work, in the streets, travelling and gossiping. Sometimes they are lone figures; a photograph may show only a single gaze, a glimpse of a face. Often, however, Cartier-Bresson turns his camera to couples, twin figures, mirrored individuals, linked solitudes. He captures crowds, gathering both to celebrate and to protest. Unified by the clarity and compassion of his vision, Cartier-Bresson's photographs speak of the same daily ceremony, of the ongoing business of living for people across Europe, whether Polish priests in alb or cassock, or Abruzzi peasants shrouded in the black of their coats and hats. With his remarkable ability to capture the fragile reality of European life, Henri Cartier-Bresson underscores his reputation as one of the twentieth century's most influential and original photographers. Source A related resource from which the described resource is derived <a href="https://thamesandhudson.com/">https://thamesandhudson.com/</a> Publisher An entity responsible for making the resource available Thames & Hudson Date A point or period of time associated with an event in the lifecycle of the resource 15 March 1999 1031.RETRO.CARTIERBRESSON https://www.photobookcafe-archive.co.uk/files/original/476659076e8ae18714a8aa483d399009.jpg de195da82ef7788e6a9181c394a3ceb6 https://www.photobookcafe-archive.co.uk/files/original/6bf091619c07cf2f468da6a9225f9e9a.jpg adeda9621021c5211baaf789df424700 https://www.photobookcafe-archive.co.uk/files/original/e7225e872fb8e4f5e5e34b4f581a0fbb.jpg 8b19b2281b190a893cd43ce7fcf86c78 https://www.photobookcafe-archive.co.uk/files/original/acd6f619148cc8a9dfbf83ce8480e19d.jpg 057844cbcc0df11ee0f2fe2519dde544 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Body & Identity Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Body <span style="text-decoration: underline;">Shelfmark - 1032.BODY.VANRAALTE</span> Creator An entity primarily responsible for making the resource Lotte van Raalte Design – Merel van den Berg Text – Lou Stoppard Printing – Lenoirschuring Description An account of the resource Over the course of 16 months, Lotte van Raalte photographed 46 women, aged 13 to 94, in their most natural form. The result is the launch of her first photography book, ‘BODY’. BODY is a documentation of the observant photographer’s encounters with these women – a celebration of individuality, life and the beauty found in both vulnerability and strength. An ode to the female body. Source A related resource from which the described resource is derived <a href="https://lottevanraalte.com/">https://lottevanraalte.com/</a> Publisher An entity responsible for making the resource available Lotte van Raalte Date A point or period of time associated with an event in the lifecycle of the resource 2020 1032.BODY.VANRAALTE