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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Miscellaneous
Photobook
Photo Book
Dimensions
Dimensions of object in cm
25 X 20 X 4
Number of Pages
Number of Pages
169
Number of images
Number of images
150
Edition Size
Edition Size
100
Place of Publication
Place of Publication
London
Designer
Designer
Laconic
Editor
Editor
Laconic
Printer
Printer
N/A
ISBN
ISBN
N/A
Website
Website
N/A
URL Link to project
URL Link to project
N/A
Where to buy
Where to buy
N/A
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Laconic Book
<span style="text-decoration: underline;">Shelfmark - 995.OTH.LACONIC</span>
Creator
An entity primarily responsible for making the resource
Laconic
Description
An account of the resource
A year of thoughts realised in design. These ideas vary from economic insights to more abstract philosophical questions. The book showcases my artwork and some short writings.
Subject
The topic of the resource
100
Format
The file format, physical medium, or dimensions of the resource
Section sewn binding, 170gsm matt coated paper, 4 colour process printing
Date
A point or period of time associated with an event in the lifecycle of the resource
2024
Publisher
An entity responsible for making the resource available
Self-Published
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Portraiture
Dublin Core
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Title
A name given to the resource
European Portrait Photography since 1990
<span style="text-decoration: underline;">Shelfmark - 996.POR/RETRO.ATHANASIADOU</span>
Description
An account of the resource
The 1990s saw a resurgence of the portrait genre of photography, especially in Europe, where the collapse of communism and the solidification of the European Union raised enormously important questions about national identity and shared historical and cultural values. This volume delves into this important development, featuring full-page reproductions of work by Rineke Dijkstra, Jurgen Teller, Thomas Ruff, Nikos Markou, Anders Petersen, Clare Strand, and others from dozens of countries around the continent. Taken as a whole, these portraits comprise a new genre - one that represented a break from postmodernist strategies and which allowed for experimentation and the exchange of ideas. AUTHOR: Frits Gierstberg is Professor of Photography at the Erasmus University and curator of the Nederlands FotoMuseum in Rotterdam. He has curated numerous exhibitions of contemporary photography and written extensively about the topic. Till-Holger Bolchert is Chief Curator at the Groeningemuseum in Bruges, Belgium. He is the author of Masterpieces in Detail: Early Netherlandish Art from Van Eyck to Bosch (Prestel). 200 illustrations
Creator
An entity primarily responsible for making the resource
Alexandra Athanasiadou
Source
A related resource from which the described resource is derived
<a href="https://books.google.co.uk/">https://books.google.co.uk/</a>
996.POR/RETRO.ATHANASIADOU
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Night Life
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Love Young
<span style="text-decoration: underline;">Shelfmark - 997.NL.SPENCER</span>
Creator
An entity primarily responsible for making the resource
Ewen Spencer
Description
An account of the resource
In the year 2000, Spencer was commissioned by Graham Rounthwaite at British music, fashion and culture magazine The Face to create a series focusing on youth clubs across the United Kingdom. From Cornwall to Lancashire, Spencer photographed teens goers as they drank, danced and fell in and out of love and lust.
“Today we stay younger longer and become grown up sooner. The successes of making any sort of story around youth is to recognise that we’ve all been there at sometime in our lives. Being a Teenager is life a concentrated moment of the human condition — all of the successes and pitfalls all being played out in one messy drama.” — Ewen Spencer
Source
A related resource from which the described resource is derived
<a href="https://www.stanleybarker.co.uk/">https://www.stanleybarker.co.uk/</a>
997.NL.SPENCER
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Dublin Core
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Title
A name given to the resource
Sociopolitical
Dublin Core
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Title
A name given to the resource
The Nuclear Sublime
<span style="text-decoration: underline;">Shelfmark - 998.SP/DOC.COLLINS</span>
Creator
An entity primarily responsible for making the resource
Michael Collins
Description
An account of the resource
Over a period of three years, Michael Collins photographed the interiors of historic and live nuclear reactors and power stations across the UK. Documenting infrastructure spanning a period of seven decades, the photographs in The Nuclear Sublime depict the present state and future of Britain’s nuclear industry— usually hidden from public view.
Collins was granted unprecedented access to Dounreay, Sellafield, Chapelcross, Winfrith, Dungeness, Trawsfynydd, Sizewell A and B, Wylfa and Torness. His large-format photographs show the heart of a live reactor, the storage of nuclear waste, the control rooms and instrumentation, the process of decommissioning old sites, and the insides of fusion “Tokamak” reactors. His photographs depict both the vast scale of the austere chapel-like spaces and intricate details such as rusting control panels with wonky labels, peeling paintwork and miles of wiring. The imagery reveals the contrasts between the monumental size and heights of scientific endeavour with the reality of the sometimes dusty, and worn, outdated equipment and interiors. The images playfully capture the child-like colour palette and pipes alongside abstracted patterns and textures of the intricate infrastructure.
‘A significant proportion of Britain’s retired nuclear power stations are still standing, and because of the issues surrounding their decommissioning (dealing with the radioactive legacy and working in close proximity to it) much of the original infrastructure and equipment remain almost intact. Contrary to industry’s practice of obliterating its history before it can be monumentalised, a significant element of nuclear energy’s archaeology is still standing.’
The world’s first civil nuclear programme was established in the UK, marked by the opening of Calder Hall, Windscale in 1956. The country currently generates about 15% of its electricity from nuclear sources. It has nine operational nuclear reactors at five locations power stations, and fourteen that are no longer functioning. In July 2023, the government launched Great British Nuclear, with the aim of generating 25% of the UK’s electricity by 2050 through a combination of large nuclear plants and small modular reactors. Most existing capacity is to be retired by the end of the decade.
Michael Collins was born in India in 1961. He has lectured at Harvard, The Royal College of Art and Goldsmiths, and is Visiting Professor of Photography, University of Suffolk. His work has been exhibited internationally including at the British Museum, Barbican Art Centre, SK Stiftung, Cologne, Janet Borden Gallery, New York, RIBA Gallery and City Hall, London; Birmingham City Art Gallery; FFoto Gallery, Cardiff and Impressions Gallery, York. He has been commissioned by the Design Council and Network Rail, The Institution of Chemical Engineers, Birmingham City Council and Potteries Museum and Art Gallery amongst others. His work has been published in Frieze, Granta, Apollo, FT Weekend Magazine, The Guardian, RIBA magazine, Blueprint, Evening Standard, Source, Wallpaper*, and Le Monde amongst others. The Nuclear Sublime is his sixth book.
Source
A related resource from which the described resource is derived
<a href="https://rrbphotobooks.com/">https://rrbphotobooks.com/</a>
998.SP/DOC.COLLINS
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Documentary
Subject
The topic of the resource
120
Dublin Core
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Title
A name given to the resource
I'll be there (now, in a minute)
<span style="text-decoration: underline;">Shelfmark - 999.DOC/POR.BECQUART</span>
Creator
An entity primarily responsible for making the resource
Laurène Becquart
Description
An account of the resource
I'll Be There (Now, In A Minute), by Laurene Becquart, looks at the life of Port Talbot’s teenagers
999.DOC/POR.BECQUART
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Music
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Between, everywhere
<span style="text-decoration: underline;">Shelfmark - 1000.MUS.DEMY</span>
Description
An account of the resource
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<p class=""><strong>I’ve encountered a lot of people who assume touring is chaotic, or worse, glamorous. Most of the time it’s neither. Being on tour means being suspended between two worlds, between different versions of home. Like color, people can see the same tour differently. The word “family” gets thrown around a lot in the touring world. To me, family is dynamic, its health determined by how well the unit adapts to individual growth and change. My roles with the Death Cab ecosystem have transformed many times over the two decades I’ve been around. This band cements for me not only what family means, but family <em>does</em>. I’ve been so many different versions of myself with them, and they’ve welcomed me in, again and again—with a hug, a laminate, and a bunk on the bus.
<br />—Rachel Demy<br /></strong></p>
<p class="">For a sales manager or a trucker, a motivational speaker or a musician, there are consistencies within the constant change of life on the road. Each learns to create homes away from home, channeling points of familiarity when, after prolonged movement from venue to venue, one’s sense of time and space inevitably dulls. Bands, like theater troupes and circuses, have a group dynamic layered on top of all that, comprised not only of the musicians but all those who contribute to the daily construction and dismantling of temporary worlds.</p>
<p class="">Photographer Rachel Demy knows every detail of what it takes to move instruments, cases and crews across the country and around the world to bring musicians and audiences together for a few precious hours. After a decade on the logistics side of managing tours, she laid down her spreadsheets and 16-channel Motorola radio to spend more time with her camera, capturing the liminal moments she had long been observing from her years on the road.</p>
<p class="">The photographs comprising <em>Between, Everywhere</em> were made over a five-year period touring with Death Cab for Cutie, a band she met first as a fan, and eventually joined as family. A mainstay of the indie music scene, Death Cab for Cutie has been consistently recording and touring for over two decades. Demy’s wry and poignant photographs take viewers behind the scenes and on a journey full of the quiet, the beauty, the monotony and the exhilaration of a veteran band on tour.</p>
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Creator
An entity primarily responsible for making the resource
Rachel Demy with Death Cab for Cutie
Source
A related resource from which the described resource is derived
<a href="https://www.racheldemy.com/">https://www.racheldemy.com/</a>
1000.MUS.DEMY
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Music
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Trap
<span style="text-decoration: underline;">Shelfmark - 1001.MUS.DESAILLY</span>
Creator
An entity primarily responsible for making the resource
Vincent Desailly
Description
An account of the resource
<strong><em>Trap</em></strong><span> </span><br /><span>A dangerous or unpleasant situation which you have got into and from which it is difficult or impossible to escape.</span><br /><span> </span><br /><strong><em>Trap house</em></strong><span> </span><br /><span>A drug house, also known as a trap house, bando, jugg house, or crack house, is a building where drug dealers and drug users buy, sell, produce, and use illegal drugs. </span><br /><br /><strong><em>Trap music</em></strong><span> </span><br /><span>Trap music is a style of hip hop music that was developed in the late 1990s to early 2000s in the Southern United States. The largest influences of Trap come from Atlanta, Georgia. Trap music is known for its ominous and often bleak, gritty vocals and lyrical content.</span><br /><span> It’s consider to be one of the most popular music genre worldwide for the last five years (2015-2020).</span><br /><span> </span><br /><strong>All the photographs in this book were made in and around Atlanta (Georgia) in 2018.<br />They are directly or indirectly linked to Trap music.</strong>
Source
A related resource from which the described resource is derived
<a href="http://www.vincent-desailly.com">www.vincent-desailly.com</a>
1001.MUS.DESAILLY
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fashion
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ωοτοκία, (Oviparity)
<span style="text-decoration: underline;">Shelfmark - 1002.FASH.LANTHIMOS</span>
Creator
An entity primarily responsible for making the resource
Yorgos Lanthimos for Gucci
Description
An account of the resource
The mesmerizing portfolio of images in the new limited-edition artbook by Yorgos Lanthimos, shot among the statues inside the Leda Gallery of Villa Albani Torlonia in Rome.
The photographer’s images depict elderly men and women whose powdered skin mimics the pallor of marble. They pose like statues or artists’ models and interact with young people wearing colourful and patterned Cruise 2020 looks by Alessandro Michele inside the Leda Gallery. Built within the Villa Albani Torlonia grounds, the Leda Gallery is home to an exceptional collection of Greek and Roman sculptures. It is named after the statue that sits at its centre, ‘Leda and the Swan’ a first-century Roman copy of an earlier Greek statue from the fourth century BC attributed to Timotheus—enhancing the value of the copy, which possesses its own authenticity. The artbook’s title, Ωοτοκία (Oviparity) also nods to the Greek myth of Leda and the Swan, as it is a zoological term meaning the production of eggs by an animal; in some versions of the story, Leda, having been seduced by Zeus in the form of a swan, lays two eggs from which two of her children are hatched.
‘Oviparity’ is be distributed by IDEA Books, the London-based independent publisher and is also be available at Gucci Garden in Florence and Gucci Wooster in New York.
Source
A related resource from which the described resource is derived
<a href="http://www.gucci.com">www.gucci.com</a>
1002.FASH.LANTHIMOS
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Retrospective
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Blue Sky 04/05
<span style="text-decoration: underline;">Shelfmark - 1003.RETRO.BLUESKY</span>
Description
An account of the resource
Full-page lithograph reproductions of b&w and color photographs on coated paper. Laminated color photo illustrated wraps. Crisp and square with tight binding. This was the first annual issued by the gallery. Work by Nina Berman, Adrain Chesser, Charles Cohen, Jim Cooke, Gregory Gorfkle, Germán Herrera, Douglas Levere, Allen Maertz, Annu Palakunnathu Matthew, Jeffrey Milstein, Martina Mullaney, Simon Norfolk, Magali Nougarède, Thomas Roma, Paul Seawright, Soody Sharifi, Jindrich Streit, Bob Thall, and Charles Traub. Plus the top ten from Photolucida's Critical Mass competition.
Creator
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Blue Sky Gallery
Source
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www.abebooks.co.uk
Date
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October 2005
1003.RETRO.BLUESKY
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Dublin Core
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Title
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Retrospective
Dublin Core
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Creator
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Robert Capa
Title
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Robert Capa / Photographs
<span style="text-decoration: underline;">Shelfmark - 1004.RETRO.CAPA</span>
Description
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Robert Capa: Photographs is a major retrospective of one of the century’s greatest photographers. Drawing upon hundreds of previously unseen images, this collection reveals Capa as one of the great poets of the camera. In these photographs, we see the world through the eyes of a driven humanist who was also a documentarian of the highest caliber. While previous volumes on Capa have focused on his role as a war photographer, Robert Capa: Photographs shows us the remarkable range of his work: the sufferings as well as the tenderness, humor, and wonder of his subjects. The extraordinary book includes poignant comments by Capa’s close friend Henri Cartier-Bresson and by Cornell Capa (Robert’s younger brother and the Founding Director of the International Center of Photography), as well as a historical essay by Robert Capa biographer Richard Whelan. The dramatic collection of images in Robert Capa: Photographs shows that he captured―through the events of history―the very heart of humanity.
Publisher
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Aperture
Date
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1 July 2004
1004.RETRO.CAPA
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Title
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Documentary
Subject
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120
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Creator
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Luca De Gaspar
Title
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людям слава
<span style="text-decoration: underline;">Shelfmark - 1005.DOC.DGASPAR</span>
1005.ABST.DGASPAR
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Dublin Core
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Title
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Film
Dublin Core
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Title
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Inside The Bum
<span style="text-decoration: underline;">Shelfmark - 1006.FILM/DOC.LEBON</span>
Description
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‘Inside the Bum’ documents the making of Harmony Korine’s film ‘The Beach Bum’ – starring Matthew McConaughey, Jonah Hill, Isla Fisher, Snoop Dogg, and Zac Efron.
In October 2017, the Lebon brothers were invited onto the set of the film for six weeks. Given the freedom to wander the set as they pleased, the Lebons received unrestricted access and a privileged insight into the filmmaking process of Korine - a long-time inspiration for both brothers.
They came home with thousands of photographs and over fifty hours of footage, resulting in two distinct pieces of collaborative work - a twenty-minute film and this photobook.
Korine’s colourful set provided a bountiful stream of wild and wacky scenarios to document, from naked extras destroying Miami mansions to Moondog (McConaughey) setting boats on fire and dancing in tinfoil underwear. The book is a compilation of photographs, video stills, written diary entries, call sheets, and vintage Florida tourist paraphernalia taped together into a scrapbook of sorts; part on-set documentary photography, part notebook of thoughts, questions and anecdotes for their film
Source
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<a href="https://www.dobedo.com/shop/inside-the-bum-by-frank-and-tyrone-lebon">inside-the-bum-by-frank-and-tyrone-lebon</a>
Publisher
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DoBeDo, 2019
1006.FILM/DOC.LEBON