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                <text>In many Asian countries, homophobia is rooted in ignorance rather than hate, which stems from the lack of visibility. This is made more apparent by laws that censor and limit local portrayals of the LGBTQ community. However, these norms are changing and Asian societies are generally open to dialogue. Highly visible LGBTQ events generally rely on 'loud' approaches like protesting to gain support and momentum. This may work better in Western contexts where individualism is emphasised, but they do not translate well in an Asian context where obedience, meekness, and collectivism have been ingrained into local culture. Asian LGBTQ communities may find themselves being alienated further within their milieu. How then should one approach advocacy of gay rights in an Asian context?&#13;
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in another world/ 假如在另个世界 trials an alternate approach, delving into my journey as an Asian gay man and juxtaposing these experiences to those of Charlie, a pansexual man from Lincoln. Despite coming from geographies worlds apart, Charlie and I share many similar queer milestones from ice skating, to queer allyship, first sexual encounters, first pride, STI testing, enduring hate crimes, exes, and more. Harnessing the quietness of our lived experiences, in another world aims to create tolerance and understanding with new allies, eventually leading to acceptance. It also seeks to remind gay men to honor their promise of inclusivity, reminding us how we are a lot more connected than we know despite our physical appearances and circumstances.</text>
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                <text>Chao Ah Gua started from a conversation between two of my friends, Z and J. J grew up in England, has been out to his parents for a couple of years, and is also in a long-term monogamous relationship. In contrast, Z grew up in Singapore and leads a double life; his parents know nothing of his active sex life and are still under the perception that he is straight. J had made the passing comment to Z, encouraging him to come out to his parents, noting that they would eventually understand and accept him for who he is. However, Z rejected the proposal as he couldn’t bear the potential repercussions.&#13;
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Contemporary gay culture has become shaped to fit Western ideals. Its emphasis on individuality clashes with the collective values upheld in many Asian countries, which results in these communities homogenising gay experiences, having perceived it to be another form of cultural dominance from the Western world. The promotion of a homogenous gay experience feeds into local societal rejection and political erasure of gay narratives in their local communities, even when there is evidence to show their assimilation within these societies historically.&#13;
&#13;
The gap in representation created by this erasure also results in Asian gay men turning toward Western gay narratives as a framework to navigate their sexuality, with many choosing to abandon their other personal identities or lead double lives. Furthermore, it also reinforces the hegemonic queer narrative powered by Western publications like GayTimes and Attitude that will continue to influence the next generation of Asian gay men living in Orient societies.&#13;
&#13;
What does that then mean for the gay men living in these spaces? Are they supposed to choose one-half of themselves over the other? Is it an impossibility for Asian gay men to co-exist with their heterosexual and Occidental counterparts? We must start to find different ways of championing equality locally, to look for new ways of intertwining our traditional upbringing and sexual identities so that future generations of Asian gay people can have nuanced examples that they can look up to and follow – something that our predecessors sorely lacked. Chao Ah Gua serves as a beacon of hope to Asian gay men who are unable to see a future for themselves within their Orient communities.</text>
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