18 12 1878 https://www.photobookcafe-archive.co.uk/files/original/95532464b6a55f5f9ebf8f2893d8a70a.jpg 55682f6e46f1142fb95142ec866c063e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In Dialogue with the Collection: Student Perspectives Publisher An entity responsible for making the resource available Self-Published at The Photobook Cafe Date A point or period of time associated with an event in the lifecycle of the resource 2026 Contributor An entity responsible for making contributions to the resource Ravensbourne Students Description An account of the resource Ravensbourne BA Digital Photography Internship Programme fully funded by The Photobook Cafe and Rapid Eye Darkrooms We are delighted to welcome BA Digital Photography students from Ravensbourne University London to The Photobook Café for a six-week work placement programme running throughout March and April. This opportunity has been fully funded by The Photobook Café and Rapid Eye Darkrooms. During their time with us, students will take part in an intensive, multi-strand programme designed to provide practical, professional experience across the breadth of a working cultural organisation. The placement is structured across four core strands, enabling students to develop a broad and practical understanding of working within a cultural organisation. Through research and writing, they engage critically with the photobook collection while producing a substantial written project; through curation and public programming, they gain hands-on experience in exhibition-making, contributing to displays, talks, and artist liaison; through communications and documentation, they build skills in audience engagement across social media, editorial content, and visual documentation; and through facilitation and community engagement, they support and co-deliver zine workshops and participatory sessions. In addition, the programme includes specialist sessions such as an industry shadowing visit to Rapid Eye, offering insight into a leading independent photography space, and a business operations session led by The Photobook Cafe’s Director, introducing the practical and financial realities of running a sustainable cultural venue. Throughout April, a curated selection of photobooks studied by the cohort will be on public display in The Photobook Cafe and Rapid Eye Darkrooms. Each of the ten participating students has selected titles that reflect and support their individual practices and interests in printed matter. These selections are accompanied by a written research thesis, produced in-house as a series of zines, with each publication entering The Photobook Café’s permanent collection for visitors to read and reference. This work is particularly significant in the context of increasing inaccessibility to specialist materials, photobooks are often difficult to access, even within universities where library collections are being reduced. Through the placement, each student spends approximately 70 hours engaging directly with our collection, developing a deeper understanding of how an archive is built and activated, while also bringing attention to underrepresented publications and expanding the breadth of sub-genres within the existing collection. Alongside the physical displays at The Photobook Café and Rapid Eye darkrooms, the exhibitions will also be presented within our online photobook collection. This digital iteration ensures that the featured publications and research can be accessed by audiences worldwide, extending the reach and longevity of the programme beyond the physical space. The selected photobooks include Open Mic by Ewen Spencer, Bare With Me by Begum Yetis, Everwonderful by Jeano Edwards, The Wedding by Nick Waplington, and Metamorphosis, A Retrieval of Love by Samuel Zhang. Also featured are Iceland: Living with the Elements by Laura Kopold, Ogrody Szczęśliwości (Gardens of Bliss) by Artur Rychlicki, Somerset: A View from the Hill by Matilda Temperley, Wheal by Jack Whitefield, and Parways: A Photographic Journal Along the Ridgeway by Matt Writtle. Further works include English Landscapes by Fionn Reilly, Après l'Été by Roberto Badin, An American Mile by Kyle McDougall, Silvertown by Allan Forrester Parker, A Star in the Sky by Laura El-Tantawy, J’ by Pamela Maddaleno, RWS by Alisha Brocklebank, and Front Door by Ocean Farini. Additional titles include Original Magazine Vol. 2, Without by Martina Bjorn, Folks with the Notes by Jonny Nolan, Blood Sweat and Tears by Jody Evans, Colorway by Sophie Hustswick, Lost in Staten Island by Juanita Richards, Konkursas by Francessca Allen, and Ròżowy Nie Istnieje by Iwona Germanek. Other featured works are The Anonymous Project by Martin Parr, I’ve Lived in London for 86 Years by Martin Usborne, One Day Young by Jenny Lewis, For Every Minute You Are Angry You Lose Sixty Seconds of Happiness by Julian Germain, My Father’s Things by Wendy Aldiss, Characters of the London Colour Walk: In Their Own Words by Athanasios Athanasiadou, European Portrait Photography Since 1990, People of the Mud by Luis Alberto Rodriguez, Coming Up for Air by Stephen Gill, The Wild Resistant by Alina Hibert, Alexander McQueen: Working Process by Nick Waplington, and Drowning Light by Rhys Frampton. Photobook Photo Book Edition Size Edition Size 2 Place of Publication Place of Publication London Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bebe Byford Zine 2133. IN DIALOGUE WITH THE COLLECTION: STUDENT PERSPECTIVES Date A point or period of time associated with an event in the lifecycle of the resource 2026 Description An account of the resource Ocean Farini, Marusia Mahmutova, Martina Bjorn, Sue kreitzman and Colin Allen, Sue Smallwood. this zine contains a mini archive of 5 books exploring photographers and artists that focus on portraiture, mixed media and fashion. Together they offer different perspectives and opinions that work well as a collective overall for viewers to enjoy. Publisher An entity responsible for making the resource available Photographers website: https://www.oceanfarini.com/ https://martinabjornstudio.com/ https://www.colinallenphotography.com https://nohawkers.com/past-exhibitions/they-came-from-the-booth https://afisha.london/en/2022/03/22/marusia-makhmutova-flamboyant-fashion-photographer-and-collage-artist/ Format The file format, physical medium, or dimensions of the resource W 14.5 cm H 20 cm Binding paper: binding type saddle stitch, paper context natural 80gsm, file format pdf Number of pages: 16 Total number of images 6 Edition size: 1/1 Place of publication: London, England Year of publication: 2026 Name of publisher: self published (Bebe Byford) Designer: Bebe Byford https://www.photobookcafe-archive.co.uk/files/original/6ab404dbc1245db5f7f96e09cb3a9586.jpg 181bdf852c8a1c06462aecd3916c41cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In Dialogue with the Collection: Student Perspectives Publisher An entity responsible for making the resource available Self-Published at The Photobook Cafe Date A point or period of time associated with an event in the lifecycle of the resource 2026 Contributor An entity responsible for making contributions to the resource Ravensbourne Students Description An account of the resource Ravensbourne BA Digital Photography Internship Programme fully funded by The Photobook Cafe and Rapid Eye Darkrooms We are delighted to welcome BA Digital Photography students from Ravensbourne University London to The Photobook Café for a six-week work placement programme running throughout March and April. This opportunity has been fully funded by The Photobook Café and Rapid Eye Darkrooms. During their time with us, students will take part in an intensive, multi-strand programme designed to provide practical, professional experience across the breadth of a working cultural organisation. The placement is structured across four core strands, enabling students to develop a broad and practical understanding of working within a cultural organisation. Through research and writing, they engage critically with the photobook collection while producing a substantial written project; through curation and public programming, they gain hands-on experience in exhibition-making, contributing to displays, talks, and artist liaison; through communications and documentation, they build skills in audience engagement across social media, editorial content, and visual documentation; and through facilitation and community engagement, they support and co-deliver zine workshops and participatory sessions. In addition, the programme includes specialist sessions such as an industry shadowing visit to Rapid Eye, offering insight into a leading independent photography space, and a business operations session led by The Photobook Cafe’s Director, introducing the practical and financial realities of running a sustainable cultural venue. Throughout April, a curated selection of photobooks studied by the cohort will be on public display in The Photobook Cafe and Rapid Eye Darkrooms. Each of the ten participating students has selected titles that reflect and support their individual practices and interests in printed matter. These selections are accompanied by a written research thesis, produced in-house as a series of zines, with each publication entering The Photobook Café’s permanent collection for visitors to read and reference. This work is particularly significant in the context of increasing inaccessibility to specialist materials, photobooks are often difficult to access, even within universities where library collections are being reduced. Through the placement, each student spends approximately 70 hours engaging directly with our collection, developing a deeper understanding of how an archive is built and activated, while also bringing attention to underrepresented publications and expanding the breadth of sub-genres within the existing collection. Alongside the physical displays at The Photobook Café and Rapid Eye darkrooms, the exhibitions will also be presented within our online photobook collection. This digital iteration ensures that the featured publications and research can be accessed by audiences worldwide, extending the reach and longevity of the programme beyond the physical space. The selected photobooks include Open Mic by Ewen Spencer, Bare With Me by Begum Yetis, Everwonderful by Jeano Edwards, The Wedding by Nick Waplington, and Metamorphosis, A Retrieval of Love by Samuel Zhang. Also featured are Iceland: Living with the Elements by Laura Kopold, Ogrody Szczęśliwości (Gardens of Bliss) by Artur Rychlicki, Somerset: A View from the Hill by Matilda Temperley, Wheal by Jack Whitefield, and Parways: A Photographic Journal Along the Ridgeway by Matt Writtle. Further works include English Landscapes by Fionn Reilly, Après l'Été by Roberto Badin, An American Mile by Kyle McDougall, Silvertown by Allan Forrester Parker, A Star in the Sky by Laura El-Tantawy, J’ by Pamela Maddaleno, RWS by Alisha Brocklebank, and Front Door by Ocean Farini. Additional titles include Original Magazine Vol. 2, Without by Martina Bjorn, Folks with the Notes by Jonny Nolan, Blood Sweat and Tears by Jody Evans, Colorway by Sophie Hustswick, Lost in Staten Island by Juanita Richards, Konkursas by Francessca Allen, and Ròżowy Nie Istnieje by Iwona Germanek. Other featured works are The Anonymous Project by Martin Parr, I’ve Lived in London for 86 Years by Martin Usborne, One Day Young by Jenny Lewis, For Every Minute You Are Angry You Lose Sixty Seconds of Happiness by Julian Germain, My Father’s Things by Wendy Aldiss, Characters of the London Colour Walk: In Their Own Words by Athanasios Athanasiadou, European Portrait Photography Since 1990, People of the Mud by Luis Alberto Rodriguez, Coming Up for Air by Stephen Gill, The Wild Resistant by Alina Hibert, Alexander McQueen: Working Process by Nick Waplington, and Drowning Light by Rhys Frampton. Photobook Photo Book Edition Size Edition Size 2 Place of Publication Place of Publication London Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In The Collection by Ruby Bartholomew 2132.IN DIALOGUE WITH THE COLLECTION: STUDENT PERSPECTIVES Date A point or period of time associated with an event in the lifecycle of the resource 2026 Description An account of the resource photographers: ewen spencer begum yetis jeano edwards nick waplington alan burles a mini archive zine talking about a small collection of photobooks on the celebration and domesticity of life. each one focuses on taking a chance to take a moment and stop, to appreciate the random things in life. Format The file format, physical medium, or dimensions of the resource dimensions: 14.5cm width 20cm height 16 pages 12 images contex natural 80gsm paper, stapled, printed edition size: 1 of 1 place/year of publication: london, england, 2026 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant websites: https://ewenspencer.com https://begumyetis.co.uk https://jeano.studio/about https://www.hamiltonsgallery.com/artists/90-nick-waplington/overview/ https://alanburles.com https://www.photobookcafe-archive.co.uk/files/original/3d1afea6e0b17bf115ed233da123867a.jpg 760db4ef98e1ee29b067b314b6452dbc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In Dialogue with the Collection: Student Perspectives Publisher An entity responsible for making the resource available Self-Published at The Photobook Cafe Date A point or period of time associated with an event in the lifecycle of the resource 2026 Contributor An entity responsible for making contributions to the resource Ravensbourne Students Description An account of the resource Ravensbourne BA Digital Photography Internship Programme fully funded by The Photobook Cafe and Rapid Eye Darkrooms We are delighted to welcome BA Digital Photography students from Ravensbourne University London to The Photobook Café for a six-week work placement programme running throughout March and April. This opportunity has been fully funded by The Photobook Café and Rapid Eye Darkrooms. During their time with us, students will take part in an intensive, multi-strand programme designed to provide practical, professional experience across the breadth of a working cultural organisation. The placement is structured across four core strands, enabling students to develop a broad and practical understanding of working within a cultural organisation. Through research and writing, they engage critically with the photobook collection while producing a substantial written project; through curation and public programming, they gain hands-on experience in exhibition-making, contributing to displays, talks, and artist liaison; through communications and documentation, they build skills in audience engagement across social media, editorial content, and visual documentation; and through facilitation and community engagement, they support and co-deliver zine workshops and participatory sessions. In addition, the programme includes specialist sessions such as an industry shadowing visit to Rapid Eye, offering insight into a leading independent photography space, and a business operations session led by The Photobook Cafe’s Director, introducing the practical and financial realities of running a sustainable cultural venue. Throughout April, a curated selection of photobooks studied by the cohort will be on public display in The Photobook Cafe and Rapid Eye Darkrooms. Each of the ten participating students has selected titles that reflect and support their individual practices and interests in printed matter. These selections are accompanied by a written research thesis, produced in-house as a series of zines, with each publication entering The Photobook Café’s permanent collection for visitors to read and reference. This work is particularly significant in the context of increasing inaccessibility to specialist materials, photobooks are often difficult to access, even within universities where library collections are being reduced. Through the placement, each student spends approximately 70 hours engaging directly with our collection, developing a deeper understanding of how an archive is built and activated, while also bringing attention to underrepresented publications and expanding the breadth of sub-genres within the existing collection. Alongside the physical displays at The Photobook Café and Rapid Eye darkrooms, the exhibitions will also be presented within our online photobook collection. This digital iteration ensures that the featured publications and research can be accessed by audiences worldwide, extending the reach and longevity of the programme beyond the physical space. The selected photobooks include Open Mic by Ewen Spencer, Bare With Me by Begum Yetis, Everwonderful by Jeano Edwards, The Wedding by Nick Waplington, and Metamorphosis, A Retrieval of Love by Samuel Zhang. Also featured are Iceland: Living with the Elements by Laura Kopold, Ogrody Szczęśliwości (Gardens of Bliss) by Artur Rychlicki, Somerset: A View from the Hill by Matilda Temperley, Wheal by Jack Whitefield, and Parways: A Photographic Journal Along the Ridgeway by Matt Writtle. Further works include English Landscapes by Fionn Reilly, Après l'Été by Roberto Badin, An American Mile by Kyle McDougall, Silvertown by Allan Forrester Parker, A Star in the Sky by Laura El-Tantawy, J’ by Pamela Maddaleno, RWS by Alisha Brocklebank, and Front Door by Ocean Farini. Additional titles include Original Magazine Vol. 2, Without by Martina Bjorn, Folks with the Notes by Jonny Nolan, Blood Sweat and Tears by Jody Evans, Colorway by Sophie Hustswick, Lost in Staten Island by Juanita Richards, Konkursas by Francessca Allen, and Ròżowy Nie Istnieje by Iwona Germanek. Other featured works are The Anonymous Project by Martin Parr, I’ve Lived in London for 86 Years by Martin Usborne, One Day Young by Jenny Lewis, For Every Minute You Are Angry You Lose Sixty Seconds of Happiness by Julian Germain, My Father’s Things by Wendy Aldiss, Characters of the London Colour Walk: In Their Own Words by Athanasios Athanasiadou, European Portrait Photography Since 1990, People of the Mud by Luis Alberto Rodriguez, Coming Up for Air by Stephen Gill, The Wild Resistant by Alina Hibert, Alexander McQueen: Working Process by Nick Waplington, and Drowning Light by Rhys Frampton. Photobook Photo Book Edition Size Edition Size 2 Place of Publication Place of Publication London Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Womanhood Personally 2131.IN DIALOGUE WITH THE COLLECTION: STUDENT PERSPECTIVES Date A point or period of time associated with an event in the lifecycle of the resource 2026 Publisher An entity responsible for making the resource available Photobook Cafe https://www.photobookcafe-archive.co.uk/files/original/2dd76b62470b6ef9e544fcc4274d5634.jpg 714cd1dd3c456c89a57cfdeec91e9a47 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In Dialogue with the Collection: Student Perspectives Publisher An entity responsible for making the resource available Self-Published at The Photobook Cafe Date A point or period of time associated with an event in the lifecycle of the resource 2026 Contributor An entity responsible for making contributions to the resource Ravensbourne Students Description An account of the resource Ravensbourne BA Digital Photography Internship Programme fully funded by The Photobook Cafe and Rapid Eye Darkrooms We are delighted to welcome BA Digital Photography students from Ravensbourne University London to The Photobook Café for a six-week work placement programme running throughout March and April. This opportunity has been fully funded by The Photobook Café and Rapid Eye Darkrooms. During their time with us, students will take part in an intensive, multi-strand programme designed to provide practical, professional experience across the breadth of a working cultural organisation. The placement is structured across four core strands, enabling students to develop a broad and practical understanding of working within a cultural organisation. Through research and writing, they engage critically with the photobook collection while producing a substantial written project; through curation and public programming, they gain hands-on experience in exhibition-making, contributing to displays, talks, and artist liaison; through communications and documentation, they build skills in audience engagement across social media, editorial content, and visual documentation; and through facilitation and community engagement, they support and co-deliver zine workshops and participatory sessions. In addition, the programme includes specialist sessions such as an industry shadowing visit to Rapid Eye, offering insight into a leading independent photography space, and a business operations session led by The Photobook Cafe’s Director, introducing the practical and financial realities of running a sustainable cultural venue. Throughout April, a curated selection of photobooks studied by the cohort will be on public display in The Photobook Cafe and Rapid Eye Darkrooms. Each of the ten participating students has selected titles that reflect and support their individual practices and interests in printed matter. These selections are accompanied by a written research thesis, produced in-house as a series of zines, with each publication entering The Photobook Café’s permanent collection for visitors to read and reference. This work is particularly significant in the context of increasing inaccessibility to specialist materials, photobooks are often difficult to access, even within universities where library collections are being reduced. Through the placement, each student spends approximately 70 hours engaging directly with our collection, developing a deeper understanding of how an archive is built and activated, while also bringing attention to underrepresented publications and expanding the breadth of sub-genres within the existing collection. Alongside the physical displays at The Photobook Café and Rapid Eye darkrooms, the exhibitions will also be presented within our online photobook collection. This digital iteration ensures that the featured publications and research can be accessed by audiences worldwide, extending the reach and longevity of the programme beyond the physical space. The selected photobooks include Open Mic by Ewen Spencer, Bare With Me by Begum Yetis, Everwonderful by Jeano Edwards, The Wedding by Nick Waplington, and Metamorphosis, A Retrieval of Love by Samuel Zhang. Also featured are Iceland: Living with the Elements by Laura Kopold, Ogrody Szczęśliwości (Gardens of Bliss) by Artur Rychlicki, Somerset: A View from the Hill by Matilda Temperley, Wheal by Jack Whitefield, and Parways: A Photographic Journal Along the Ridgeway by Matt Writtle. Further works include English Landscapes by Fionn Reilly, Après l'Été by Roberto Badin, An American Mile by Kyle McDougall, Silvertown by Allan Forrester Parker, A Star in the Sky by Laura El-Tantawy, J’ by Pamela Maddaleno, RWS by Alisha Brocklebank, and Front Door by Ocean Farini. Additional titles include Original Magazine Vol. 2, Without by Martina Bjorn, Folks with the Notes by Jonny Nolan, Blood Sweat and Tears by Jody Evans, Colorway by Sophie Hustswick, Lost in Staten Island by Juanita Richards, Konkursas by Francessca Allen, and Ròżowy Nie Istnieje by Iwona Germanek. Other featured works are The Anonymous Project by Martin Parr, I’ve Lived in London for 86 Years by Martin Usborne, One Day Young by Jenny Lewis, For Every Minute You Are Angry You Lose Sixty Seconds of Happiness by Julian Germain, My Father’s Things by Wendy Aldiss, Characters of the London Colour Walk: In Their Own Words by Athanasios Athanasiadou, European Portrait Photography Since 1990, People of the Mud by Luis Alberto Rodriguez, Coming Up for Air by Stephen Gill, The Wild Resistant by Alina Hibert, Alexander McQueen: Working Process by Nick Waplington, and Drowning Light by Rhys Frampton. Photobook Photo Book Edition Size Edition Size 2 Place of Publication Place of Publication London Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SAOJ'R 2130.IN DIALOGUE WITH THE COLLECTION: STUDENT PERSPECTIVES Date A point or period of time associated with an event in the lifecycle of the resource 2026 Publisher An entity responsible for making the resource available Photobook Cafe https://www.photobookcafe-archive.co.uk/files/original/e73211e7a3405a16e9630e8c93462138.jpg 34dcf7d76456c4f13a994482654ff9be Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gender Photobook Photo Book Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Puérpera 2129.GEN.ELENTER Creator An entity primarily responsible for making the resource Deborah Elenter Description An account of the resource About Deborah Elenter Deborah Elenter is a Montevideo-born visual artist, photographer and doula. Since 2015 she has documented over 150 births, producing intimate and unflinching images that reclaim childbirth as a vital, political and collective experience. Her project Puérpera has been exhibited at the Uruguayan Contemporary Art Museum, Kavlin Foundation, Hiperespacio in Montevideo, and in Greece, Argentina and Slovakia. It has received international recognition including awards from Uruguay's Dirección Nacional de Cultura and the Fundación Itaú Cultural. Her photobook Puérpera, published by the Centro de Fotografía de Montevideo, launched in 2025. Alongside her photographic practice, Elenter collaborates on Uruguay's proposed Dignified Birth legislation. Join Uruguayan visual artist, photographer and doula Deborah Elenter for a relaxed, informal evening of book signing at The Photobook Cafe, hosted by the Birth Rites Collection. Deborah will be signing copies of her photobook Puérpera, published by the Centro de Fotografía de Montevideo, which documents over a decade of intimate and unflinching images of childbirth. Birth Rites Collection curator Helen Knowles will also be in attendance. Books will be available for purchase. Free — no booking required, just turn up. https://www.photobookcafe-archive.co.uk/files/original/8e90ee50bb32e92da115d593d5541bab.jpg 231def5efe45fad454348251bfbb0955 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sociopolitical Photobook Photo Book Number of Pages Number of Pages 276 Number of images Number of images 203 ISBN ISBN ISBN 978-94-6226-536-3 Website Website https://joelvanhoudt.com/book/p/afghanistanism Where to buy Where to buy https://joelvanhoudt.com/book/p/afghanistanism Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource AFGHANISTANISM 2128.SP.VANHOUDT Creator An entity primarily responsible for making the resource Joël van Houdt https://www.photobookcafe-archive.co.uk/files/original/2c023beedbe2a31b42f515fed85660a9.jpg 051b817ae1bc580e3f192af93eaeefc3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Street Photobook Photo Book Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How to LuXing in Hong Kong 2127.STREET.SAN Creator An entity primarily responsible for making the resource Chow San Date A point or period of time associated with an event in the lifecycle of the resource 2026 Publisher An entity responsible for making the resource available Self Published https://www.photobookcafe-archive.co.uk/files/original/72effdbd70e30718192c49e87560571e.jpg c98d06289d38ed88d24e61180c602b2b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource 010 100 Title A name given to the resource Experimental Photobook Photo Book Number of Pages Number of Pages 624 Edition Size Edition Size 143 Where to buy Where to buy https://softcover.at/product/yasmin-masri-near-2143-mcdonalds-via-google-street-view-looking-elsewhere/ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Near 2,143 McDonald’s via Google Street View Looking Elsewhere 2126.EXP.MASRI Creator An entity primarily responsible for making the resource Yasmin Masri Publisher An entity responsible for making the resource available Nearest Truth https://www.photobookcafe-archive.co.uk/files/original/5e02668eff2145ab8baf170a2aec68a7.jpg ebaae44dbdd77ca75dfbde09485ef9b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Personal Photobook Photo Book Number of Pages Number of Pages 168 pages Designer Designer Ilaria Miotto ISBN ISBN ISBN 979-12-80177-57-5 Where to buy Where to buy https://witty-books.com/She-could-see-herself-in-the-darkness-Phoebe-Kiely Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource She could see herself in the darkness Phoebe Kiely 2125.PER.KIELY Creator An entity primarily responsible for making the resource Phoebe Kiely Description An account of the resource She could see herself in the darkness is a book holding a compilation of prints made between 2020 - 2024. The project began as an exploration of queer intimacy between two people. It soon evolved into something beyond a single story. The photographs of people still remain, however they are interlaced with tight, close up images, which break up the human bodies and allow the sequence to not be dominated by skin alone.This book marks the completion of the project, a constellation of fragments held together in the dark. Date A point or period of time associated with an event in the lifecycle of the resource 2025 https://www.photobookcafe-archive.co.uk/files/original/cb4ef97eb9513b7b256c91e159c06953.jpg 03f2b6ce66ab349f08f8962180823e06 Photobook Photo Book Dimensions Dimensions of object in cm 220x160x25mm Number of Pages Number of Pages 51+1 Number of images Number of images 52 Edition Size Edition Size 52 Place of Publication Place of Publication LONDON Designer Designer Ekrem Öztürkmen Editor Editor Ekrem Öztürkmen Printer Printer Ekrem Öztürkmen Website Website https://ekremozturkmen.myshopify.com/?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAb21jcARIYglleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA81NjcwNjczNDMzNTI0MjcAAacCIzHqaKQpq-ONH4YQlKfUEzeaSGsgRhSSNvBaGONU-Uy3jYoZZca0OeIQvQ_aem_X50R1lWUYUbHRQq_ADzguQ Where to buy Where to buy Ekremrmzn ( instagram dm) & https://ekremozturkmen.myshopify.com/?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAb21jcARIYglleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA81NjcwNjczNDMzNTI0MjcAAacCIzHqaKQpq-ONH4YQlKfUEzeaSGsgRhSSNvBaGONU-Uy3jYoZZca0OeIQvQ_aem_X50R1lWUYUbHRQq_ADzguQ Links to reviews Links to reviews This project belongs to me personally, and it does not yet have an ISBN code, as it is not mass-produced, so I have not obtained one. I’m not sure whether this would be an issue. If you would like, I can provide detailed images of the content via email. For now, the purpose is not to sell, but simply to help people get to know me a little better. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ISTANBUL Creator An entity primarily responsible for making the resource Ekrem ÖZTÜRKMEN Description An account of the resource Although it tells the story of how I developed my street photography within the city of Istanbul, this project actually emerged under the influence of the poem “İstanbul’dan” by İlhan Berk. It is not a conventional book; rather, it consists of 52 photographs placed inside a box. These 52 photographs represent the 52 weeks of the year. Subject The topic of the resource 340 Format The file format, physical medium, or dimensions of the resource Binding = Tin Box Paper = 300gsm paper Print = Gloss Date A point or period of time associated with an event in the lifecycle of the resource 2014-2024 https://www.photobookcafe-archive.co.uk/files/original/ddb281c0ff1a2e533c3b08ca76fb8d6b.jpg 6a71d345f89511575f7de6485117d976 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Street Zine A small-circulation self-published work of original or appropriated texts and images, usually reproduced using cheap printing methods. Zines are often the product of either a single person or of a very small group, and are popularly photocopied into physical prints for circulation. Editor Editor Richard Bridge Designer Designer Richard Bridge Dimensions Dimensions of object in cm 21cm x 21cm x 0.5cm Number of Pages Number of Pages 64 Edition Size Edition Size 200 Place of Publication Place of Publication United Kingdom Printer Printer Self-published Website Website richardbridge.com Where to buy Where to buy richardbridge.com Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Street Affection 2114.STREET.BRIDGE Description An account of the resource Drawn from 10 years of street photography in London. Street Affection is a study into the public displays of affection, love and gestures of care that unite us all. Format The file format, physical medium, or dimensions of the resource Perfect bound softcover zine Date A point or period of time associated with an event in the lifecycle of the resource 2026 Publisher An entity responsible for making the resource available Richard Bridge https://www.photobookcafe-archive.co.uk/files/original/5cec4ac2d48b41201199bab7c651935b.jpg 3a8d0a954d54a05800136393902c1b06 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Documentary Subject The topic of the resource 120 Photobook Photo Book Dimensions Dimensions of object in cm 23x23 cmx1cm Number of Pages Number of Pages 20 Number of images Number of images 17 Edition Size Edition Size 5 Place of Publication Place of Publication Austria Designer Designer Sofya Tatarinova Editor Editor Sofya Tatarinova Printer Printer Self-published ISBN ISBN ------- Website Website www.sofiatatarinova.com URL Link to project URL Link to project https://sofiatatarinova.com/udmurtya/ Where to buy Where to buy by artist Links to reviews Links to reviews https://www.fstopmagazine.com/blog/2015/interview-with-photographer-tatarinova-sofya/ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Suicide stories 2106.DOC.TATARINOVA Creator An entity primarily responsible for making the resource Sofya Tatarinova Description An account of the resource Udmurtya is the region with one of the highest rates of suicides amongst males in Russia. Mostly udmurts hang themselves in the woods. There are several reasons for that. One of them is sheltered in the cultural traditions of the nation. Udmurts are shamanists, inseparability connected to the nature, which is the essential part of their religion and rituals. I was interested in concentrating to the portraits of widows, their stories and the images of the nature – probable places of self-murders, but not always. Through it the spectator can imagine how the nature influence on udmurts. I inclined to consider suicide as a manifestation of these powerful chthonic presence of archaic energy, which still lives in the remote Udmurtia. I wanted to capture natural failure, a fatal failure, the hole in which other forces live, pulling the young and full of strength men inside. Subject The topic of the resource 120 Format The file format, physical medium, or dimensions of the resource printed self-published photobook Date A point or period of time associated with an event in the lifecycle of the resource 2016 Publisher An entity responsible for making the resource available by artist