155 12 1882 https://www.photobookcafe-archive.co.uk/files/original/95532464b6a55f5f9ebf8f2893d8a70a.jpg 55682f6e46f1142fb95142ec866c063e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In Dialogue with the Collection: Student Perspectives Publisher An entity responsible for making the resource available Self-Published at The Photobook Cafe Date A point or period of time associated with an event in the lifecycle of the resource 2026 Contributor An entity responsible for making contributions to the resource Ravensbourne Students Description An account of the resource Ravensbourne BA Digital Photography Internship Programme fully funded by The Photobook Cafe and Rapid Eye Darkrooms We are delighted to welcome BA Digital Photography students from Ravensbourne University London to The Photobook Café for a six-week work placement programme running throughout March and April. This opportunity has been fully funded by The Photobook Café and Rapid Eye Darkrooms. During their time with us, students will take part in an intensive, multi-strand programme designed to provide practical, professional experience across the breadth of a working cultural organisation. The placement is structured across four core strands, enabling students to develop a broad and practical understanding of working within a cultural organisation. Through research and writing, they engage critically with the photobook collection while producing a substantial written project; through curation and public programming, they gain hands-on experience in exhibition-making, contributing to displays, talks, and artist liaison; through communications and documentation, they build skills in audience engagement across social media, editorial content, and visual documentation; and through facilitation and community engagement, they support and co-deliver zine workshops and participatory sessions. In addition, the programme includes specialist sessions such as an industry shadowing visit to Rapid Eye, offering insight into a leading independent photography space, and a business operations session led by The Photobook Cafe’s Director, introducing the practical and financial realities of running a sustainable cultural venue. Throughout April, a curated selection of photobooks studied by the cohort will be on public display in The Photobook Cafe and Rapid Eye Darkrooms. Each of the ten participating students has selected titles that reflect and support their individual practices and interests in printed matter. These selections are accompanied by a written research thesis, produced in-house as a series of zines, with each publication entering The Photobook Café’s permanent collection for visitors to read and reference. This work is particularly significant in the context of increasing inaccessibility to specialist materials, photobooks are often difficult to access, even within universities where library collections are being reduced. Through the placement, each student spends approximately 70 hours engaging directly with our collection, developing a deeper understanding of how an archive is built and activated, while also bringing attention to underrepresented publications and expanding the breadth of sub-genres within the existing collection. Alongside the physical displays at The Photobook Café and Rapid Eye darkrooms, the exhibitions will also be presented within our online photobook collection. This digital iteration ensures that the featured publications and research can be accessed by audiences worldwide, extending the reach and longevity of the programme beyond the physical space. The selected photobooks include Open Mic by Ewen Spencer, Bare With Me by Begum Yetis, Everwonderful by Jeano Edwards, The Wedding by Nick Waplington, and Metamorphosis, A Retrieval of Love by Samuel Zhang. Also featured are Iceland: Living with the Elements by Laura Kopold, Ogrody Szczęśliwości (Gardens of Bliss) by Artur Rychlicki, Somerset: A View from the Hill by Matilda Temperley, Wheal by Jack Whitefield, and Parways: A Photographic Journal Along the Ridgeway by Matt Writtle. Further works include English Landscapes by Fionn Reilly, Après l'Été by Roberto Badin, An American Mile by Kyle McDougall, Silvertown by Allan Forrester Parker, A Star in the Sky by Laura El-Tantawy, J’ by Pamela Maddaleno, RWS by Alisha Brocklebank, and Front Door by Ocean Farini. Additional titles include Original Magazine Vol. 2, Without by Martina Bjorn, Folks with the Notes by Jonny Nolan, Blood Sweat and Tears by Jody Evans, Colorway by Sophie Hustswick, Lost in Staten Island by Juanita Richards, Konkursas by Francessca Allen, and Ròżowy Nie Istnieje by Iwona Germanek. Other featured works are The Anonymous Project by Martin Parr, I’ve Lived in London for 86 Years by Martin Usborne, One Day Young by Jenny Lewis, For Every Minute You Are Angry You Lose Sixty Seconds of Happiness by Julian Germain, My Father’s Things by Wendy Aldiss, Characters of the London Colour Walk: In Their Own Words by Athanasios Athanasiadou, European Portrait Photography Since 1990, People of the Mud by Luis Alberto Rodriguez, Coming Up for Air by Stephen Gill, The Wild Resistant by Alina Hibert, Alexander McQueen: Working Process by Nick Waplington, and Drowning Light by Rhys Frampton. Photobook Photo Book Edition Size Edition Size 2 Place of Publication Place of Publication London Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bebe Byford Zine 2133. IN DIALOGUE WITH THE COLLECTION: STUDENT PERSPECTIVES Date A point or period of time associated with an event in the lifecycle of the resource 2026 Description An account of the resource Ocean Farini, Marusia Mahmutova, Martina Bjorn, Sue kreitzman and Colin Allen, Sue Smallwood. this zine contains a mini archive of 5 books exploring photographers and artists that focus on portraiture, mixed media and fashion. Together they offer different perspectives and opinions that work well as a collective overall for viewers to enjoy. Publisher An entity responsible for making the resource available Photographers website: https://www.oceanfarini.com/ https://martinabjornstudio.com/ https://www.colinallenphotography.com https://nohawkers.com/past-exhibitions/they-came-from-the-booth https://afisha.london/en/2022/03/22/marusia-makhmutova-flamboyant-fashion-photographer-and-collage-artist/ Format The file format, physical medium, or dimensions of the resource W 14.5 cm H 20 cm Binding paper: binding type saddle stitch, paper context natural 80gsm, file format pdf Number of pages: 16 Total number of images 6 Edition size: 1/1 Place of publication: London, England Year of publication: 2026 Name of publisher: self published (Bebe Byford) Designer: Bebe Byford https://www.photobookcafe-archive.co.uk/files/original/b91d2dfd8b1031eed02dbaf2c161499c.jpg 9d014cac16c1f3b0b9434470f9a67987 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In Dialogue with the Collection: Student Perspectives Publisher An entity responsible for making the resource available Self-Published at The Photobook Cafe Date A point or period of time associated with an event in the lifecycle of the resource 2026 Contributor An entity responsible for making contributions to the resource Ravensbourne Students Description An account of the resource Ravensbourne BA Digital Photography Internship Programme fully funded by The Photobook Cafe and Rapid Eye Darkrooms We are delighted to welcome BA Digital Photography students from Ravensbourne University London to The Photobook Café for a six-week work placement programme running throughout March and April. This opportunity has been fully funded by The Photobook Café and Rapid Eye Darkrooms. During their time with us, students will take part in an intensive, multi-strand programme designed to provide practical, professional experience across the breadth of a working cultural organisation. The placement is structured across four core strands, enabling students to develop a broad and practical understanding of working within a cultural organisation. Through research and writing, they engage critically with the photobook collection while producing a substantial written project; through curation and public programming, they gain hands-on experience in exhibition-making, contributing to displays, talks, and artist liaison; through communications and documentation, they build skills in audience engagement across social media, editorial content, and visual documentation; and through facilitation and community engagement, they support and co-deliver zine workshops and participatory sessions. In addition, the programme includes specialist sessions such as an industry shadowing visit to Rapid Eye, offering insight into a leading independent photography space, and a business operations session led by The Photobook Cafe’s Director, introducing the practical and financial realities of running a sustainable cultural venue. Throughout April, a curated selection of photobooks studied by the cohort will be on public display in The Photobook Cafe and Rapid Eye Darkrooms. Each of the ten participating students has selected titles that reflect and support their individual practices and interests in printed matter. These selections are accompanied by a written research thesis, produced in-house as a series of zines, with each publication entering The Photobook Café’s permanent collection for visitors to read and reference. This work is particularly significant in the context of increasing inaccessibility to specialist materials, photobooks are often difficult to access, even within universities where library collections are being reduced. Through the placement, each student spends approximately 70 hours engaging directly with our collection, developing a deeper understanding of how an archive is built and activated, while also bringing attention to underrepresented publications and expanding the breadth of sub-genres within the existing collection. Alongside the physical displays at The Photobook Café and Rapid Eye darkrooms, the exhibitions will also be presented within our online photobook collection. This digital iteration ensures that the featured publications and research can be accessed by audiences worldwide, extending the reach and longevity of the programme beyond the physical space. The selected photobooks include Open Mic by Ewen Spencer, Bare With Me by Begum Yetis, Everwonderful by Jeano Edwards, The Wedding by Nick Waplington, and Metamorphosis, A Retrieval of Love by Samuel Zhang. Also featured are Iceland: Living with the Elements by Laura Kopold, Ogrody Szczęśliwości (Gardens of Bliss) by Artur Rychlicki, Somerset: A View from the Hill by Matilda Temperley, Wheal by Jack Whitefield, and Parways: A Photographic Journal Along the Ridgeway by Matt Writtle. Further works include English Landscapes by Fionn Reilly, Après l'Été by Roberto Badin, An American Mile by Kyle McDougall, Silvertown by Allan Forrester Parker, A Star in the Sky by Laura El-Tantawy, J’ by Pamela Maddaleno, RWS by Alisha Brocklebank, and Front Door by Ocean Farini. Additional titles include Original Magazine Vol. 2, Without by Martina Bjorn, Folks with the Notes by Jonny Nolan, Blood Sweat and Tears by Jody Evans, Colorway by Sophie Hustswick, Lost in Staten Island by Juanita Richards, Konkursas by Francessca Allen, and Ròżowy Nie Istnieje by Iwona Germanek. Other featured works are The Anonymous Project by Martin Parr, I’ve Lived in London for 86 Years by Martin Usborne, One Day Young by Jenny Lewis, For Every Minute You Are Angry You Lose Sixty Seconds of Happiness by Julian Germain, My Father’s Things by Wendy Aldiss, Characters of the London Colour Walk: In Their Own Words by Athanasios Athanasiadou, European Portrait Photography Since 1990, People of the Mud by Luis Alberto Rodriguez, Coming Up for Air by Stephen Gill, The Wild Resistant by Alina Hibert, Alexander McQueen: Working Process by Nick Waplington, and Drowning Light by Rhys Frampton. Photobook Photo Book Edition Size Edition Size 2 Place of Publication Place of Publication 2026 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Date A point or period of time associated with an event in the lifecycle of the resource 2026 Publisher An entity responsible for making the resource available Photobook Cafe Title A name given to the resource 2134.IN DIALOGUE WITH THE COLLECTION: STUDENT PERSPECTIVES https://www.photobookcafe-archive.co.uk/files/original/001bf5d56ff7e746399807dfddf1b5dc.jpg 986184ba6b72a8b5f115b2e732c0c2ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In Dialogue with the Collection: Student Perspectives Publisher An entity responsible for making the resource available Self-Published at The Photobook Cafe Date A point or period of time associated with an event in the lifecycle of the resource 2026 Contributor An entity responsible for making contributions to the resource Ravensbourne Students Description An account of the resource Ravensbourne BA Digital Photography Internship Programme fully funded by The Photobook Cafe and Rapid Eye Darkrooms We are delighted to welcome BA Digital Photography students from Ravensbourne University London to The Photobook Café for a six-week work placement programme running throughout March and April. This opportunity has been fully funded by The Photobook Café and Rapid Eye Darkrooms. During their time with us, students will take part in an intensive, multi-strand programme designed to provide practical, professional experience across the breadth of a working cultural organisation. The placement is structured across four core strands, enabling students to develop a broad and practical understanding of working within a cultural organisation. Through research and writing, they engage critically with the photobook collection while producing a substantial written project; through curation and public programming, they gain hands-on experience in exhibition-making, contributing to displays, talks, and artist liaison; through communications and documentation, they build skills in audience engagement across social media, editorial content, and visual documentation; and through facilitation and community engagement, they support and co-deliver zine workshops and participatory sessions. In addition, the programme includes specialist sessions such as an industry shadowing visit to Rapid Eye, offering insight into a leading independent photography space, and a business operations session led by The Photobook Cafe’s Director, introducing the practical and financial realities of running a sustainable cultural venue. Throughout April, a curated selection of photobooks studied by the cohort will be on public display in The Photobook Cafe and Rapid Eye Darkrooms. Each of the ten participating students has selected titles that reflect and support their individual practices and interests in printed matter. These selections are accompanied by a written research thesis, produced in-house as a series of zines, with each publication entering The Photobook Café’s permanent collection for visitors to read and reference. This work is particularly significant in the context of increasing inaccessibility to specialist materials, photobooks are often difficult to access, even within universities where library collections are being reduced. Through the placement, each student spends approximately 70 hours engaging directly with our collection, developing a deeper understanding of how an archive is built and activated, while also bringing attention to underrepresented publications and expanding the breadth of sub-genres within the existing collection. Alongside the physical displays at The Photobook Café and Rapid Eye darkrooms, the exhibitions will also be presented within our online photobook collection. This digital iteration ensures that the featured publications and research can be accessed by audiences worldwide, extending the reach and longevity of the programme beyond the physical space. The selected photobooks include Open Mic by Ewen Spencer, Bare With Me by Begum Yetis, Everwonderful by Jeano Edwards, The Wedding by Nick Waplington, and Metamorphosis, A Retrieval of Love by Samuel Zhang. Also featured are Iceland: Living with the Elements by Laura Kopold, Ogrody Szczęśliwości (Gardens of Bliss) by Artur Rychlicki, Somerset: A View from the Hill by Matilda Temperley, Wheal by Jack Whitefield, and Parways: A Photographic Journal Along the Ridgeway by Matt Writtle. Further works include English Landscapes by Fionn Reilly, Après l'Été by Roberto Badin, An American Mile by Kyle McDougall, Silvertown by Allan Forrester Parker, A Star in the Sky by Laura El-Tantawy, J’ by Pamela Maddaleno, RWS by Alisha Brocklebank, and Front Door by Ocean Farini. Additional titles include Original Magazine Vol. 2, Without by Martina Bjorn, Folks with the Notes by Jonny Nolan, Blood Sweat and Tears by Jody Evans, Colorway by Sophie Hustswick, Lost in Staten Island by Juanita Richards, Konkursas by Francessca Allen, and Ròżowy Nie Istnieje by Iwona Germanek. Other featured works are The Anonymous Project by Martin Parr, I’ve Lived in London for 86 Years by Martin Usborne, One Day Young by Jenny Lewis, For Every Minute You Are Angry You Lose Sixty Seconds of Happiness by Julian Germain, My Father’s Things by Wendy Aldiss, Characters of the London Colour Walk: In Their Own Words by Athanasios Athanasiadou, European Portrait Photography Since 1990, People of the Mud by Luis Alberto Rodriguez, Coming Up for Air by Stephen Gill, The Wild Resistant by Alina Hibert, Alexander McQueen: Working Process by Nick Waplington, and Drowning Light by Rhys Frampton. Photobook Photo Book Edition Size Edition Size 2 Place of Publication Place of Publication London Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Framing Nature 2135.IN DIALOGUE WITH THE COLLECTION: STUDENT PERSPECTIVES Date A point or period of time associated with an event in the lifecycle of the resource 2026 Publisher An entity responsible for making the resource available Photobook Cafe https://www.photobookcafe-archive.co.uk/files/original/2a57a92360de262bc4bec094a7d658ff.jpg 38f20133184005f33d50b5ea1d97af40 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In Dialogue with the Collection: Student Perspectives Publisher An entity responsible for making the resource available Self-Published at The Photobook Cafe Date A point or period of time associated with an event in the lifecycle of the resource 2026 Contributor An entity responsible for making contributions to the resource Ravensbourne Students Description An account of the resource Ravensbourne BA Digital Photography Internship Programme fully funded by The Photobook Cafe and Rapid Eye Darkrooms We are delighted to welcome BA Digital Photography students from Ravensbourne University London to The Photobook Café for a six-week work placement programme running throughout March and April. This opportunity has been fully funded by The Photobook Café and Rapid Eye Darkrooms. During their time with us, students will take part in an intensive, multi-strand programme designed to provide practical, professional experience across the breadth of a working cultural organisation. The placement is structured across four core strands, enabling students to develop a broad and practical understanding of working within a cultural organisation. Through research and writing, they engage critically with the photobook collection while producing a substantial written project; through curation and public programming, they gain hands-on experience in exhibition-making, contributing to displays, talks, and artist liaison; through communications and documentation, they build skills in audience engagement across social media, editorial content, and visual documentation; and through facilitation and community engagement, they support and co-deliver zine workshops and participatory sessions. In addition, the programme includes specialist sessions such as an industry shadowing visit to Rapid Eye, offering insight into a leading independent photography space, and a business operations session led by The Photobook Cafe’s Director, introducing the practical and financial realities of running a sustainable cultural venue. Throughout April, a curated selection of photobooks studied by the cohort will be on public display in The Photobook Cafe and Rapid Eye Darkrooms. Each of the ten participating students has selected titles that reflect and support their individual practices and interests in printed matter. These selections are accompanied by a written research thesis, produced in-house as a series of zines, with each publication entering The Photobook Café’s permanent collection for visitors to read and reference. This work is particularly significant in the context of increasing inaccessibility to specialist materials, photobooks are often difficult to access, even within universities where library collections are being reduced. Through the placement, each student spends approximately 70 hours engaging directly with our collection, developing a deeper understanding of how an archive is built and activated, while also bringing attention to underrepresented publications and expanding the breadth of sub-genres within the existing collection. Alongside the physical displays at The Photobook Café and Rapid Eye darkrooms, the exhibitions will also be presented within our online photobook collection. This digital iteration ensures that the featured publications and research can be accessed by audiences worldwide, extending the reach and longevity of the programme beyond the physical space. The selected photobooks include Open Mic by Ewen Spencer, Bare With Me by Begum Yetis, Everwonderful by Jeano Edwards, The Wedding by Nick Waplington, and Metamorphosis, A Retrieval of Love by Samuel Zhang. Also featured are Iceland: Living with the Elements by Laura Kopold, Ogrody Szczęśliwości (Gardens of Bliss) by Artur Rychlicki, Somerset: A View from the Hill by Matilda Temperley, Wheal by Jack Whitefield, and Parways: A Photographic Journal Along the Ridgeway by Matt Writtle. Further works include English Landscapes by Fionn Reilly, Après l'Été by Roberto Badin, An American Mile by Kyle McDougall, Silvertown by Allan Forrester Parker, A Star in the Sky by Laura El-Tantawy, J’ by Pamela Maddaleno, RWS by Alisha Brocklebank, and Front Door by Ocean Farini. Additional titles include Original Magazine Vol. 2, Without by Martina Bjorn, Folks with the Notes by Jonny Nolan, Blood Sweat and Tears by Jody Evans, Colorway by Sophie Hustswick, Lost in Staten Island by Juanita Richards, Konkursas by Francessca Allen, and Ròżowy Nie Istnieje by Iwona Germanek. Other featured works are The Anonymous Project by Martin Parr, I’ve Lived in London for 86 Years by Martin Usborne, One Day Young by Jenny Lewis, For Every Minute You Are Angry You Lose Sixty Seconds of Happiness by Julian Germain, My Father’s Things by Wendy Aldiss, Characters of the London Colour Walk: In Their Own Words by Athanasios Athanasiadou, European Portrait Photography Since 1990, People of the Mud by Luis Alberto Rodriguez, Coming Up for Air by Stephen Gill, The Wild Resistant by Alina Hibert, Alexander McQueen: Working Process by Nick Waplington, and Drowning Light by Rhys Frampton. Photobook Photo Book Edition Size Edition Size 2 Place of Publication Place of Publication London Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Greener Pastures 2136.IN DIALOGUE WITH THE COLLECTION: STUDENT PERSPECTIVES Date A point or period of time associated with an event in the lifecycle of the resource 2026 Publisher An entity responsible for making the resource available Photobook Cafe https://www.photobookcafe-archive.co.uk/files/original/51a858139c5bf110c392b0ddce227428.jpg 5e8fbf6ce5a32868de23ad232bbf14cb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In Dialogue with the Collection: Student Perspectives Publisher An entity responsible for making the resource available Self-Published at The Photobook Cafe Date A point or period of time associated with an event in the lifecycle of the resource 2026 Contributor An entity responsible for making contributions to the resource Ravensbourne Students Description An account of the resource Ravensbourne BA Digital Photography Internship Programme fully funded by The Photobook Cafe and Rapid Eye Darkrooms We are delighted to welcome BA Digital Photography students from Ravensbourne University London to The Photobook Café for a six-week work placement programme running throughout March and April. This opportunity has been fully funded by The Photobook Café and Rapid Eye Darkrooms. During their time with us, students will take part in an intensive, multi-strand programme designed to provide practical, professional experience across the breadth of a working cultural organisation. The placement is structured across four core strands, enabling students to develop a broad and practical understanding of working within a cultural organisation. Through research and writing, they engage critically with the photobook collection while producing a substantial written project; through curation and public programming, they gain hands-on experience in exhibition-making, contributing to displays, talks, and artist liaison; through communications and documentation, they build skills in audience engagement across social media, editorial content, and visual documentation; and through facilitation and community engagement, they support and co-deliver zine workshops and participatory sessions. In addition, the programme includes specialist sessions such as an industry shadowing visit to Rapid Eye, offering insight into a leading independent photography space, and a business operations session led by The Photobook Cafe’s Director, introducing the practical and financial realities of running a sustainable cultural venue. Throughout April, a curated selection of photobooks studied by the cohort will be on public display in The Photobook Cafe and Rapid Eye Darkrooms. Each of the ten participating students has selected titles that reflect and support their individual practices and interests in printed matter. These selections are accompanied by a written research thesis, produced in-house as a series of zines, with each publication entering The Photobook Café’s permanent collection for visitors to read and reference. This work is particularly significant in the context of increasing inaccessibility to specialist materials, photobooks are often difficult to access, even within universities where library collections are being reduced. Through the placement, each student spends approximately 70 hours engaging directly with our collection, developing a deeper understanding of how an archive is built and activated, while also bringing attention to underrepresented publications and expanding the breadth of sub-genres within the existing collection. Alongside the physical displays at The Photobook Café and Rapid Eye darkrooms, the exhibitions will also be presented within our online photobook collection. This digital iteration ensures that the featured publications and research can be accessed by audiences worldwide, extending the reach and longevity of the programme beyond the physical space. The selected photobooks include Open Mic by Ewen Spencer, Bare With Me by Begum Yetis, Everwonderful by Jeano Edwards, The Wedding by Nick Waplington, and Metamorphosis, A Retrieval of Love by Samuel Zhang. Also featured are Iceland: Living with the Elements by Laura Kopold, Ogrody Szczęśliwości (Gardens of Bliss) by Artur Rychlicki, Somerset: A View from the Hill by Matilda Temperley, Wheal by Jack Whitefield, and Parways: A Photographic Journal Along the Ridgeway by Matt Writtle. Further works include English Landscapes by Fionn Reilly, Après l'Été by Roberto Badin, An American Mile by Kyle McDougall, Silvertown by Allan Forrester Parker, A Star in the Sky by Laura El-Tantawy, J’ by Pamela Maddaleno, RWS by Alisha Brocklebank, and Front Door by Ocean Farini. Additional titles include Original Magazine Vol. 2, Without by Martina Bjorn, Folks with the Notes by Jonny Nolan, Blood Sweat and Tears by Jody Evans, Colorway by Sophie Hustswick, Lost in Staten Island by Juanita Richards, Konkursas by Francessca Allen, and Ròżowy Nie Istnieje by Iwona Germanek. Other featured works are The Anonymous Project by Martin Parr, I’ve Lived in London for 86 Years by Martin Usborne, One Day Young by Jenny Lewis, For Every Minute You Are Angry You Lose Sixty Seconds of Happiness by Julian Germain, My Father’s Things by Wendy Aldiss, Characters of the London Colour Walk: In Their Own Words by Athanasios Athanasiadou, European Portrait Photography Since 1990, People of the Mud by Luis Alberto Rodriguez, Coming Up for Air by Stephen Gill, The Wild Resistant by Alina Hibert, Alexander McQueen: Working Process by Nick Waplington, and Drowning Light by Rhys Frampton. Photobook Photo Book Edition Size Edition Size 2 Place of Publication Place of Publication London Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Body, The Earth, The Uncredited Hand by Miguel Manzano 2137.IN DIALOGUE WITH THE COLLECTION: STUDENT PERSPECTIVES Date A point or period of time associated with an event in the lifecycle of the resource 2026 Publisher An entity responsible for making the resource available Photobook Cafe Description An account of the resource Photographers names: Luis Alberto Rodríguez, Stephen Gill, ALINA HIBBERT. The Body, The Earth, The Uncredited Hand is a self-published zine bringing together six images by three photographers: Luis Alberto Rodríguez, Stephen Gill, and Alina Hibbert, whose practices converge around the body, the natural world, and the act of quiet, attentive looking. Luis Alberto Rodríguez works at the intersection of documentary and intimate portraiture, photographing bodies: their weight, labour, texture, and presence. Stephen Gill approaches photography as collaboration with place itself: burying prints in earth, pressing flowers and seeds onto film, submerging images in water, letting nature alter and author the work alongside him. Alina Hibbert is a photographer and horticulturalist whose practice is rooted in botanical knowledge and a deep attunement to native landscapes, using photography to make visible what is overlooked in the natural world around us. Together, these three practices ask what it means to be in relation: to a body, to land, to living things that precede and outlast us. The book does not argue a thesis so much as hold a question: what forms of knowledge live in the earth, in the body, in the hands that tend without being named? Format The file format, physical medium, or dimensions of the resource Published in London in a unique edition of one, The Body, The Earth, The Uncredited Hand is a small, intimate object: 14.5 × 20 cm, sixteen pages, saddle-stitched on natural paper, conceived, designed, and made by hand by Miguel Manzano Eguileta. Binding paper: binding type saddle stitch, paper context natural 80gsm, file format .pdf Number of pages: 16 Total number of images 6 Edition size: 1/1 Place of publication: London, England Year of publication: 2026 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Photographers website: https://www.luisalbertorodriguez.com/ https://www.stephengill.co.uk/ https://www.alinahibbert.com https://www.photobookcafe-archive.co.uk/files/original/259613de91d3eceaf87beae78299aff5.jpg b009a2558bd9fc513c6279dd43ef7394 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Personal Photobook Photo Book Dimensions Dimensions of object in cm 21x14.5x1.5 cm Edition Size Edition Size 200 ISBN ISBN 978-3-9820447-7-4 Where to buy Where to buy https://www.migrantbirdspace.store/product-page/set-of-cards-gulu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gulu 2143.PER.GULU Description An account of the resource In a way, Gulu's photography has always been forbidden. There has always been a desire amongst artists and photographers to use naked bodies as their subjects, as the perception of the body is universal. The contradictions, and resistance, in such works has always been there. The passion continues to collide until it fades, at the decisive moment of desire and fear, balance and imbalance. Thus, we need to consider the image produced by the camera and its true intention. The "Suddenly Retreating Desire" comes from the fragmented text of Blanchot, and an accidental glance at it has a strong connection with Gulu's photography. Its critical point is that it is both a creative state and a way of viewing. The card set includes a one-page text on the artist and 22 photocards of his wor Publisher An entity responsible for making the resource available Migrant Bird Space Management GmbH https://www.photobookcafe-archive.co.uk/files/original/2f434356d22198ff12dac1f3d8962972.jpeg 9373aba295c938b4e2cfa3a4ef6cb2dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Subculture Zine A small-circulation self-published work of original or appropriated texts and images, usually reproduced using cheap printing methods. Zines are often the product of either a single person or of a very small group, and are popularly photocopied into physical prints for circulation. Issue Title Wish fulfilment Issue Number 100 Editor Editor Giulio Vargiu Designer Designer Mark Luke Grant Dimensions Dimensions of object in cm 140mm x 150mm Number of Pages Number of Pages 40 Edition Size Edition Size 140mm x 150mm Place of Publication Place of Publication London Printer Printer Giulio Vargiu Where to buy Where to buy GiulioSnaps10@gmail.com Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wish fulfilment 2161.SC.VARGIU Description An account of the resource “Wish Fulfilment” is my first-ever zine, a sequence of images I shot mostly in 2025, a bit sad, a bit unconscious, and positive at the same time. The idea is to put out at least one or two more zines this year. So this would be the first chapter. Format The file format, physical medium, or dimensions of the resource Size: 140mm X 150mm Sides: 36 Binding: Staple Orientation: portrait Paper: 115 gsm paper Silk Printing: Throughout: colour Cover Additional Sides: 4 Paper: 350gsm Recycled Uncoated Printing: Outside: colour Inside: colour Date A point or period of time associated with an event in the lifecycle of the resource 2026 Publisher An entity responsible for making the resource available Giulio Vargiu https://www.photobookcafe-archive.co.uk/files/original/0178a22dcad225dcb6a8e48a344e444d.jpg 1a16c54aab5ac02642f390e910cb88f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photography Magazine Photobook Photo Book Where to buy Where to buy https://www.apartamentomagazine.com/product/issue-33-apartamento-magazine/ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Apartamento Magazine Issue #33 2162.PHOTOMAG.APARTMENTO Description An account of the resource Featuring: Hari Nef, Franz Erhard Walther, Madelon Vriesendorp, Lloyd Kahn, Eric N. Mack, John Wurdeman, Antonia Marsh, Enrique Olvera, Ron Arad, Motoyuki Daifu, Jimmy Wright, Najla El Zein, Hans-Walter Müller, and Rachel Roddy. Plus: The interiors of Pedro E. Guerrero, texts by Yemisi Aribisala, Jenny Wu, David Zilber, Stephen Kearse, Fadi Kattan, Ronan Mckenzie, Sophie Mackintosh, and Amanda Maxwell, as well as ‘Termite Trails’, an essay by Diana McCaulay. https://www.photobookcafe-archive.co.uk/files/original/a770e9c9876ce21d167795af46c1b05d.jpg c6f20171acea11008b2767872972afcb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photography Magazine Photobook Photo Book URL Link to project URL Link to project https://www.apartamentomagazine.com/product/issue-28/ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Apartamento Magazine Issue #28 2163.PHOTOMAG.APARTMENTO Description An account of the resource Featuring: Soisy and the Sphinx: the homes of Niki de Saint Phalle, Fritz Haeg, Paa Joe, Katherine Bernhardt, Gianni Pettena, Jose Dávila, Lisa Walker & Karl Fritsch, Joan E. Biren, Luigi Serafini, Paul Moakley, Nathalie de Saint Phalle, Roman Uranjek, and Topaz Jones. https://www.photobookcafe-archive.co.uk/files/original/429534f5f667df7f209ccf4bb17c1e8b.jpg c2785bfb4c6b43df80eef3077d86f854 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fashion Magazine Photobook Photo Book Website Website https://www.anothermag.com/projects/10159/volume-2-issue-6 Where to buy Where to buy https://www.anothermag.com/projects/10159/volume-2-issue-6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource AnOther Magazine 2166.FASHMAG.ANOTHERMAGAZINE Description An account of the resource Saskia de Brauw and Willy Vanderperre https://www.photobookcafe-archive.co.uk/files/original/630dcbdc3945a00d7c9f29623e8fd095.jpg 3cc8d1cf31308918000c228a85425d3e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collected Works Photobook Photo Book Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Image to Come: How Cinema Inspires Photographers 2170.CW.MAGNUM/STEIDL Description An account of the resource The Image to Come: How Cinema Inspires Photographers 2007 from Magnumsteidl. Glossy covers, tight clean pages. Bright colors. Many different artist's work shown. Format The file format, physical medium, or dimensions of the resource half cloth binding. Publisher An entity responsible for making the resource available Magnumsteidl https://www.photobookcafe-archive.co.uk/files/original/815dd4421876668339e7bb48569b8b22.jpg 2b7b3d0812ff46cfa553f861417957f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collected Works Photobook Photo Book Printer Printer Admira Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource NeoRealismo 2177.CW.ADMIRA Description An account of the resource NeoRealismo: The New Image in Italy 1932–1960 is a major photography exhibition and book curated by Enrica Viganò for Admira, the Milan-based cultural organization. It explores the evolution of Italian photography from fascist propaganda to a post-war tool for social realism and national identity. NeoRealismo: The New Image in Italy, 1932–1960 poignantly portrays life in Italy through the lens of photography before, during, and after World War II. As both a formal approach and a mindset, neorealism reached the height of its popularity in the 1950s. While the movement is primarily associated with cinematic and literary depictions of dire postwar conditions, this exhibition draws attention to the period’s many photographers and their diverse approaches to the medium. Featuring some 175 images by over 60 Italian photographers, NeoRealismo documents not only Italy’s economic and social conditions in the mid-20th century but its rebirth as a democratic nation. Installed thematically, NeoRealismo opens with Realism in the Fascist Era, which traces the regime’s use of photography as an instrument of communication that reached the masses despite widespread illiteracy. By the end of the war, Italy was in ruins. Poverty and Reconstruction conveys how photographers, along with filmmakers, documented the difficult conditions of everyday life while also communicating the country’s sense of vitality and its hopes for the future. After the fall of Fascism, Italy remained fragmented. Ethnographic Investigation chronicles how photographers traveled to every corner of the peninsula, portraying the country’s many faces in order to rebuild a collective identity through individual differences and intimate gestures. Photojournalism and the Illustrated Press highlights neorealism’s golden age, when photographers were often hired to work on editorial teams, and when photographic narratives in newspapers and magazines came to resemble cinematography, with multiple-page spreads, special supplements, and serialized articles. The exhibition concludes with From Art to Document, which illuminates the establishment of photo clubs where members hotly debated the creative value of the medium, laying the foundations for photographic criticism in Italy. Two opposing schools arose. For some, neorealism represented a rigid approach that stifled free expression. For others, photography that did not retain a connection to real life risked becoming a formal exercise appreciated by only a select few. NeoRealismo references key films via clips and movie posters. As director Martin Scorsese observes, neorealism is a “collective human response to the devastation and tragedy of war, a response that came in the form of art. It is an impulse . . . a moment. It is an act of recovery and restoration.” Pairing gelatin silver prints with the formats in which the images originally circulated—illustrated magazines, photo books, and exhibition catalogues—NeoRealismo reveals how Italian photographers captured the seismic changes that ushered in a fascinating period of modern history. The exhibition continues at the Casa Italiana Zerilli-Marimò, New York University, 24 West 12th Street.