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&#13;
https://project-space.london/paulina-korobkiewicz-disco-polo&#13;
&#13;
https://www.itsnicethat.com/articles/post-soviet-visions-exhibition-calvert-gallery-photography-210218?utm_source=facebook&amp;utm_medium=social&amp;utm_campaign=intsocial</text>
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                <text>Disco Polo documents the aesthetics in Eastern Poland after 1989. This project focuses on the mixed influences from East and West, the effects of global capitalism on the Polish landscape dominated by consuming colourful advertising. Lack of experts in local housing associations resulted in randomly chosen shades, turning the streets into a vivid collage of pastel tower blocks. Project presents kitsch of rough-and-ready billboards, suburban night-clubs and bright-coloured concrete blocks. It explores omnipresent visual chaos in the urban landscape and search for a ‘better world'.&#13;
&#13;
Title Disco Polo represents locally popular music genre of the same name, which developed in Eastern Poland around the time of the political transition. The genre created its own aesthetics, from the outfits to the venues where it is performed. Naive lyrics and over-saturated video clips often embody longing for western capitalism and hope for better future.&#13;
&#13;
Disco Polo is a collection of photographs presenting visual chaos in the common space. Neon colours replacing grey plattenbau from the Polish People's Republic, false plants in granite flowerpots, a roadside palm tree in a winter landscape.'&#13;
&#13;
- Michał Dąbrowski, Culture.pl&#13;
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&#13;
Throughout the residency, Korobkiewicz established close relationships with community members, joining local celebrations, and leading dialogues to understand how migrant communities interact within and influence these neighbourhoods. Her work is accompanied by photographic projects from Sylwia Ciszewska-Peciak, Yuxi Hou, Ismail Khokon, and Marcin Forys, members of the Central European Photography Club, with whom she collaborated as a mentor. Together, their work creates a collective portrait of migration, belonging, and visibility.&#13;
&#13;
This artist residency forms part of ‘Post-Socialist Britain?’, a research initiative exploring memory, representation, and political identity among German, Polish, and Ukrainian immigrants in the UK. The project was funded by the Arts and Humanities Research Council and developed in collaboration with the University of Birmingham and Nottingham Trent University. Curated by Rafailia Thiraiou, Homeland serves as both a visual archive and an exhibition catalogue.</text>
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                <text>Wall Unit is an exploration of interior decorations and their sociohistorical roots. The photos showcase furniture from the socialist era. Individual decisions made inside of private spaces testify of the collective history of the nation. This work has been an opportunity to preserve the places I remember from my grandparents generation. Wall Unit uses the material remains of the system as a tool for investigation of how socialism influenced contemporary aesthetics in Eastern Poland and neighbouring Lithuania.</text>
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