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Dublin Core
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Title
A name given to the resource
Music
Zine
A small-circulation self-published work of original or appropriated texts and images, usually reproduced using cheap printing methods. Zines are often the product of either a single person or of a very small group, and are popularly photocopied into physical prints for circulation.
Issue Title
The Provocateurs
Issue Number
Three
Editor
Editor
Kate Jeffrie
Designer
Designer
Kirkland Childs & Isaac Stubbings
Contributors
Editor-in-Chief - Kate Jeffrie
Photography - Kirkland Childs & Isaac Stubbings
Editorial Design - Kirkland Childs & Isaac Stubbings
Creative Producer - Myles Johnson
Art Direction - Elouise Stein-Kennedy
Graphic Design - Dylan Jenkins & Jesse Lee
Dimensions
Dimensions of object in cm
235mm x 290mm
Number of Pages
Number of Pages
72
Place of Publication
Place of Publication
United Kingdom
Website
Website
https://www.negativlandmag.com/
Where to buy
Where to buy
https://www.negativlandmag.com/
Dublin Core
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Title
A name given to the resource
Negativland
Description
An account of the resource
Negativland is a print music and culture magazine started back in 2024.
We wanted the grit of the gigs and scenes we love - in London, Bristol, Brighton, and beyond - to sweat through the magazine, keep you knotted up in the most exciting loops and make you feel like you were there. It's a field guide in keeping honest, keeping it electric.
Format
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235mm x 290mm physical print magazine, Perfect bound, Lithoprint
Date
A point or period of time associated with an event in the lifecycle of the resource
2026
Publisher
An entity responsible for making the resource available
Negativland Ltd
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Music
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Open
<span style="text-decoration: underline;">Shelfmark - 1707.MUS.SPENCER</span>
Creator
An entity primarily responsible for making the resource
Ewen Spencer
1707.MUS.SPENCER
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Music
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thank God For Elvis
<span style="text-decoration: underline;">Shelfmark - 1702.MUS.GOULDER</span>
Creator
An entity primarily responsible for making the resource
Gavan Goulder
1702.MUS.GOULDER
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Dublin Core
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Title
A name given to the resource
Music
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Off Limits
Berlin-Europe
1992-96
<span style="text-decoration: underline;">Shelfmark - 1515.MUS.RAB</span>
Creator
An entity primarily responsible for making the resource
RAB
1515.MUS.RAB
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Music
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Us/Then
<span style="text-decoration: underline;">Shelfmark - 1494.MUS.LAANANEN</span>
Creator
An entity primarily responsible for making the resource
Warpaint, Robin Laananen
1494.MUS.LAANANEN
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Music
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
21 Years In Hell
<span style="text-decoration: underline;">Shelfmark - 1489.MUS.PEROU</span>
Creator
An entity primarily responsible for making the resource
Perou, Marilyn Manson
1489.MUS.PEROU
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Music
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Police
Undercover
1977-1978
<span style="text-decoration: underline;">Shelfmark - 1488.MUS.IMPEY</span>
Creator
An entity primarily responsible for making the resource
Lawrence Impey
1488.MUS.IMPEY
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Music
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Musicheads #Fans
<span style="text-decoration: underline;">Shelfmark - 1421.MUS.DOYLE</span>
Creator
An entity primarily responsible for making the resource
Jonathan Doyle
Publisher
An entity responsible for making the resource available
Offbeat Review Books
1421.MUS.DOYLE
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Music
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Man with the golden shutter
<span style="text-decoration: underline;">Shelfmark - 1313.MUS.NORMSKI</span>
Creator
An entity primarily responsible for making the resource
Normski
1313.MUS.NORMSKI
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Music
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nowhere New York
<span style="text-decoration: underline;">Shelfmark - 1189.MUS/NL.GORTON</span>
Creator
An entity primarily responsible for making the resource
Julia Gorton
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Dublin Core
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Title
A name given to the resource
Music
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Trap
<span style="text-decoration: underline;">Shelfmark - 1001.MUS.DESAILLY</span>
Creator
An entity primarily responsible for making the resource
Vincent Desailly
Description
An account of the resource
<strong><em>Trap</em></strong><span> </span><br /><span>A dangerous or unpleasant situation which you have got into and from which it is difficult or impossible to escape.</span><br /><span> </span><br /><strong><em>Trap house</em></strong><span> </span><br /><span>A drug house, also known as a trap house, bando, jugg house, or crack house, is a building where drug dealers and drug users buy, sell, produce, and use illegal drugs. </span><br /><br /><strong><em>Trap music</em></strong><span> </span><br /><span>Trap music is a style of hip hop music that was developed in the late 1990s to early 2000s in the Southern United States. The largest influences of Trap come from Atlanta, Georgia. Trap music is known for its ominous and often bleak, gritty vocals and lyrical content.</span><br /><span> It’s consider to be one of the most popular music genre worldwide for the last five years (2015-2020).</span><br /><span> </span><br /><strong>All the photographs in this book were made in and around Atlanta (Georgia) in 2018.<br />They are directly or indirectly linked to Trap music.</strong>
Source
A related resource from which the described resource is derived
<a href="http://www.vincent-desailly.com">www.vincent-desailly.com</a>
1001.MUS.DESAILLY
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Music
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Between, everywhere
<span style="text-decoration: underline;">Shelfmark - 1000.MUS.DEMY</span>
Description
An account of the resource
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<p class=""><strong>I’ve encountered a lot of people who assume touring is chaotic, or worse, glamorous. Most of the time it’s neither. Being on tour means being suspended between two worlds, between different versions of home. Like color, people can see the same tour differently. The word “family” gets thrown around a lot in the touring world. To me, family is dynamic, its health determined by how well the unit adapts to individual growth and change. My roles with the Death Cab ecosystem have transformed many times over the two decades I’ve been around. This band cements for me not only what family means, but family <em>does</em>. I’ve been so many different versions of myself with them, and they’ve welcomed me in, again and again—with a hug, a laminate, and a bunk on the bus.
<br />—Rachel Demy<br /></strong></p>
<p class="">For a sales manager or a trucker, a motivational speaker or a musician, there are consistencies within the constant change of life on the road. Each learns to create homes away from home, channeling points of familiarity when, after prolonged movement from venue to venue, one’s sense of time and space inevitably dulls. Bands, like theater troupes and circuses, have a group dynamic layered on top of all that, comprised not only of the musicians but all those who contribute to the daily construction and dismantling of temporary worlds.</p>
<p class="">Photographer Rachel Demy knows every detail of what it takes to move instruments, cases and crews across the country and around the world to bring musicians and audiences together for a few precious hours. After a decade on the logistics side of managing tours, she laid down her spreadsheets and 16-channel Motorola radio to spend more time with her camera, capturing the liminal moments she had long been observing from her years on the road.</p>
<p class="">The photographs comprising <em>Between, Everywhere</em> were made over a five-year period touring with Death Cab for Cutie, a band she met first as a fan, and eventually joined as family. A mainstay of the indie music scene, Death Cab for Cutie has been consistently recording and touring for over two decades. Demy’s wry and poignant photographs take viewers behind the scenes and on a journey full of the quiet, the beauty, the monotony and the exhilaration of a veteran band on tour.</p>
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Creator
An entity primarily responsible for making the resource
Rachel Demy with Death Cab for Cutie
Source
A related resource from which the described resource is derived
<a href="https://www.racheldemy.com/">https://www.racheldemy.com/</a>
1000.MUS.DEMY