American photographer Victoria Crayhon's experience living and working in Russia in 2011 and 2018, revisiting memories of the friends, places, and connections that may now be impossible to return to.
Magazine format portrait oriented, semi-gloss paper and cover.
For nine months spanning August 2008 to May 2009, I commuted twice a week between Huntington, WV and Buffalo, NY. This series of photographs makes use of a vernacular hand gesture, common in West Virginia, which serves as an impromptu map of the state. The drawn line that becomes visible in the final two images in the sequence corresponds to the route that was driven between Huntington and Buffalo. With this piece of personal geography mapped on my hand, I visited a palm reader, located along the route, to have the line interpreted, as it existed within the arrangement of my natural palm print.
Hardcover. Accordion fold. 10 panels. 18cm x 18cm (folded), 18cm x 107 cm (unfolded)
The Provost: Musæum Clausum Collection Volume 4
The Musæum Clausum Collection is a series of portraits and scenes that primarily documents the simultaneous whimsy and grit of people from around the world.
What Once Was is an imaginary portrayal of friendship and masculinity. The series is a vivid portrait of young adults in several European countries, carefully stylized, but still very close to my sense of friendship. The book includes poems and essays by Dutch writer Roelof ten Napel.
The Photographer: Portraits of Twenty–five Masters
In this tribute to contemporary photography, authors Gérard Rancinan and Caroline Gaudriault present 25 portraits of the most important practitioners of the photographic medium today. A renowned photographer himself, Rancinan traveled the world to capture each subject in the surroundings of their choice and, in parallel, journalist Gaudriault interviewed them about their work and the legacy they will leave to the world. Subjects include world-renowned artists such as Elliott Erwitt, David Lachapelle, Martin Parr, Pierre et Gilles, Peter Lindbergh, Oliviero Toscani, Eikoh Hosoe, Sebastiao Salgado, and Reza.
Back to Starting Point traces nearly four decades of photographic practice, bringing together works made between 1983 and 2020. Rather than a retrospective, it is a return to the origins of seeing—a reflection on how perception, place, and the photographic image have evolved through sustained observation. The publication reveals the continuity underlying different bodies of work, inviting viewers to reconsider photography as an ongoing process of discovery rather than a record of the visible world.
monochrome printing, section-sewn Hard cover
Cantera started in August 2024, when our landlord called to inform us that we needed to leave the apartment. Out of the blue, sometime in the months ahead, our family history would be wiped away from the house so that another could start in the same place. From that moment, I started to document the many things that had created an illusion of belonging and possession in a place that had never been ours: the paintings on the wall, the arrangement of furniture, the way the spaces are occupied, the emptiness of all elements as workers stripped the flooring. Cantera aims to create a dialogue between the two predominant readings of the term household (readings that are mutually exclusive, opposed, and cannot be conceived in the presence of the other). The first reading views the house as property, as an asset for speculation and extraction. The second, the most familiar, conceives it in its purest definition as home and place we build to provide intimacy to a portion of the world where we soak up much of who we become.
Open-spine Binding, Paper: Olin Design 170g, Hardcover.
This exhibition draws on a year spent reporting across the rural corners of the county of Yorkshire. Through photography and prose, the series builds a fragmentary portrait of the people, places, and practices that shape where we live.
Photography by George Hutton Words by Cameron Hill
Selected Works 21/25 by Joshua Hart is a retrospective journey through the past five years, this curated collection of photographs explores themes of connection, objectivity and ownership. The work reflects on photography’s ability to help us process experience, create meaning, and reshape our understanding of ourselves. Our minds are like houses—big or small, modern or old, terraced or sprawling. When the rooms become cluttered, it can be difficult to move freely through them. Photography offers a way to pause, observe, and organise what we carry with us - to renovate. By creating space for reflection, these images encourage a greater sense of ownership over lived experience, whether shaped by joy, loss, trauma, or growth. Through the act of looking, photography becomes not only a record of the world around us, but a means of understanding the world within.
https://www.joshuajameshart.co.uk/store/p/selected-works-21-25 https://villagebooks.co/products/selected-works-2021-2025
Dimensions (H,W,D in cm) - 35cm by 50cm Binding, Paper & Printing Details - Newsprint Number of Pages - 32 Number of Images - 27 Edition Size - 100
A Chennai food and beverage photo-book with a magazine style approach. We're planning on 5-10 issues in the series. Includes cafés, institutions, thallu vandis; தள்ளு வண்டி (push carts) and all our favourite people who work at & run these places. Although the subject is 'food', the book centers around the people who keep these places running. Made mostly with film, with few artist/writing features. It’s a love letter to our city in photo-book form. This book has a lot of tip-in work that’s done after printing and binding, offering what I believe is a tactile, journal-like feel.
Sita / Abhinav Sitaraman Co-author: Sidhant Nichani
perfect bound, matte art paper, digital print.
A Chicago environmentalist’ photo-journal; on insects, birds, green spaces, environmental justice, transit, cycling, cross-cultural design, and local business. Building on my five or so years (2019-2024) as an ecologist, activist, and image-maker. Consisting of my photography and writing, based on my research and field work. It’s a playful and easy-to-approach take on some of these scientific themes. Some features include photography from Joy Muqing Wang, Matt Keeth, Justin Soto and more, illustration/artwork by iicky Genes, Borb a Day, and more, and design story features on Goody Vault, Chop Yam, and RUPTUR’ / Larry Tchogninou.
Perfect bound, natural shade maplitho paper (made in India), digital print.
Jim Mortram has worked with Image & Reality to redesign his first sold-out book, Small Town Inertia, adding never-seen-before photos and testimony. For seven years Jim Mortram photographed the lives of people in his community. He made their daily struggles visible, as they struggled through physical and mental problems and a failing social security system. Through his camera and their testimony Small Town Inertia shows their isolation and the loneliness in their daily lives. His work covers difficult subjects such as disability, addiction and self-harm, but is always with hope and dignity. Small Town Inertia is a testimony to the strength and resilience of the people he photographs. All participants know that they have been photographed, they know that they have spoken into Jim's microphone, all are collaborators, not and never subjects and all they profoundly wish is that their testimony will be heard. Paramount for Small Town Inertia, since its creation, has always been collaboration with his community and the amplification of their testimony. Mortram says "We don't live in a country where people have no voice, but people seldom listen and choose to look the other way." With new photographs and testimony, this edition of Small Town Inertia is available for pre-order now. Delivery from the printers is confirmed and orders will ship from February 20th, 2026.