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                <text>Stephen Gills photographs are devoid of sentiment or affectation rather than showing the pigeon in our world, they take us into theirs. The lens noses in under bridges, squeezes through cracks and scopes out crannies. These are images that bestow on the despised flying rats that oft-trumpeted but seldom realised attribution: their dignity: here are pigeons making their lives in a natural landscape, for, whatever else humans may be, we are animals too, and as such our buildings are analogous to the earthworks of termites, and our bridges to the dams of beavers. Its this inversion of the anthropocentric view that makes Gills images so compelling that, and another revelation; for, fluffed-up and blinking, in the dust and the grime and the rust and rime, we see those mythical beings: the young pigeons. I suspect its because weve entered this otherworldly realm that we find these juveniles to be arousing not of pity, but a grudging respect far from being scroungers, or undeserving poor, these doughty birds survive and even thrive, despite barbs and more barbs of outrageous human fortune. They are, like the urban foxes, the economic migrants of the animal world: forced into the cities to scratch a living as best they may, and before we condemn them we would do well to ask ourselves this question: would we do as well were the tables to be turned?&#13;
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                <text>Hackney Wick sits in east London between the Grand Union Canal, the River Lea and the Eastway A106. I first came across the area at the end of 2002 when I was photographing the back of advertising billboards. Although I had lived in London for nine years and thought I knew East London well, Hackney Wick threw me; it completely changed my mental map of this part of London.&#13;
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The market closed on 13th July, 2003; it had been going for seven years. According to the Trading Standards inspectors it had been swamped with stolen and counterfeit goods. The remains of the old stadium were demolished weeks after the closure as part of the preparations for Londons bid for the 2012 games. The games which will bring many good things to the area: new transport links and much needed infrastructure. But there will be losses, too. There is another side to Hackney Wick. Away from the noise and chaos nature has somehow managed to find and keep a place for itself. The canals and rivers and secret allotments (known only to their dedicated gardeners) are home to many birds and animals. These hidden paradises have a vibrancy of their own which will soon be muted by the dust that will cover them.</text>
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                <text>The photographs in this book have a ceremonial quality about them, as if the animals and the birds present themselves to us one by one – the fox, the hare, the wild boar, the deer, the mouse, the snail, the bird of prey, the fledglings, the owl – as well as something rather solemn, in that we see them the way they are in themselves, in their own world, normally so out of reach from our own. The world we see in these images is a secret world, though no less so when light re- turns to the land, the animals retreat into hiding and the forest again becomes recognisable to us; on the contrary, the mystery seems only to thicken. -words by Karl Ove Knausgård</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="650">
                <text>150</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="652">
                <text>Cloth bound hardback&#13;
Contains inserted 16 page saddle stitched booklet with accompanying essay by Karl Ove Knausgård</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="655">
                <text>2017</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="656">
                <text>Nobody</text>
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            </elementTextContainer>
          </element>
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